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t 


aici Price, : $6, 100, Is Obtained for 


a George Inness “Land- 


There was great Hiterest shown in the 
_ dispersal sale of ninety-seven paintings | 


scapes 


in the collection of the late Governor | 
Oliver Ames, of Massachusetts, at 
Plaza Hotel, last night, held ‘by 
American Art Association, with Thomas 


E. Kirby auctioneer. 


the | 
the 


Nineteen works of 


American artists were represented in the 
groups of international painters of note! 


and the best prices were received for the 


George Innes pictures. “Landscape,”’ 


that artist, went to John Levy for $6,100, | 
ane enother landscape of a later period| 
wen’ tn the same buyer. for the same, 


by 


price. The Holland Galleries bought Et- 


tore Bimmenetti'’s 


were:— 


“A Worist’s 
Le RBoy.... 


“At the Costumers” for 


G.. Downing purchased Felix | 
Ziews ~Wenice’’ for $2,250. 

Other pictures sold, the artists, the buy- 
ers and prices being given in that order,| 


Shop,” Jules FE. Saintix; ML 


ee Cee eee Ce teem es er roreees oe 


“Departure of Persian Caravan,” “Alberto 


Pasini; A. 


OMIVOtHS Sipe Us 


“Shadow—Autumn, 2 Ollivotti; "Armand 


MARTY arash Ebon wes s bei wees imeiielote cine ai 
“Return from. the Hunt,”’ Pani L. “Viry: eg 
A Ge Winters v0.5. LA pach 2 SA ae io eta 


“Landscape and Gattle,”” C. ‘E. Pierce; A. 


G. Winter ...... 


ee Oe ee ewe e wes enteeteve 


“*Millpond, East Lyme,’’ Robert Yan Bos- 


kerek; C. J. 


MpeNononeh i... de sus 


‘Landscape end Cattle,’ Friederich Voltz: 


S Laird. 


ee ee ee eo a ee ea 


The Lady in Black,” Ff. i. abet A. C. 


Crocker ... 


ee ee 


“High Noon, Near Niantic, co R, Ww. Van 


Boskerck; M, ee Roy 


Hogan 
“Carisbad,”’’ 


Swe mr evra oreee eee ove 


POOR CeO se sere seoeesesesraceae 


‘Mihaly de Munkacsy; Holland 


Galleries Ciogueieacmigty eee 6 S04 0 alibi wid) O15 aoe 


*Sossip at t 


he Wonuntaiv. Rabat Morocco,’’ 


Wala: Weeks: 3f..G. Hogans. ee secis 
**In the Harbor—Moonlight,”’. M. F. BH, De 
Pasa Mtte DEMetuse wou ee balou ce wae 
“Landscape sud Cattle,” R. Burnier- Hol- 
BENG MSR EIONIOS Shea tl kW sles lei hele eee: s 


**Youth,”’’ Ch 
leries .... 


aries Landelle; Arlington Gal- 


i es 


Veet Peasant,’? A, Guerra; W. a Down- 


A ae 
leries ...4. 


“Max ‘Volthart; Holtend Gat. 


Sees ee nose ere eeewseseesereves 


*“Saying Grace,” Knut Ekwall; H, Schul- 
the 


coeree 


“Venice,’? BY. 
“Floreal, 2 


Sanford .... 


ie. Unterberser; MiG. Hogae. 
Prederik H. Kaemmerer; A ie 


Pee ere e te ew esoe eos ttoewesred ees 


“Sen and Shore,” William ‘Trost Richards: 
FREI CB OLS: a ccuieels. wlohe ON. sos. bia gua eee ee ee 
Youth and 


A. Stalgan 
“Chiogeia,’’ 


Old Age,’ Girolame Induno; 


ee wos eeser eee ernst veoee te ecowes 


Ciardi: A, Ollfvotti.. ..2. 50.04 A 


**Ajone at Last,” E. Tofano; A. Slatean. ... 
“Cottage by Sea,’’ William I, Picknell; 


Kranshaar 


**Salome,’’ Jules Joseph Letebvre: Holland 


‘Galleries . 


Galletiagniks Oss aie eee ee oe 


a a ae 


°° the. siarwes. 3 36 


At the afternoon seanteas tor rhe 
glassware and porcelain 
‘of Governor Ames, which 
American Art Galleries, — 

South, there was lively b 


| Martin paid the top price of $360 fo 
M pa 3 


richly decorated Minton — 
plates. S. F. Lawrence | 
set with gilded borders 
Crown Derby porcelain p 
M. Robbins for $260. 


~* Salome,” 1 for 87, for $510. 
ae Forest of 7 ntain Ben ies 
- No, $4, went to’ ehlsehe 
00, same bu 
Le pe tep ieee: ‘Arrives, 
ean uel or 25. 
syria “Lerolie’s ‘‘ The Potato ene 
ers,” a Paris Salon picture, and said to 
I be the artists’s masterpiece, No. 97, went 
to Leroy for $1,100. The ninety-seven 

: dy ef the collection brought 

‘) ° 


ie VENICE,” ‘$2,250 


| Henet Leroltl’s “The Potato. Gath- 

| erers” Fetches $1, 100, and W. Te 
; “Richards’s “Sek and Shore” 

: 181,000, - . i 


id 


ae 3 takes Pisicapes nee a river 
‘seene brought the highest prices at the 
{sale of the paintings of the late Gov- 
-ernor ‘Oliver Ames of the mere 
sold. under the auspices of the American 
1 Art Galleries by - Thomas E irby at 
the ‘Plaza last evening. The two land- 
‘scapes went to John Levy. The largest— 
| No. 45 in the catalogue, 22% by 34 
|inches—in the manner of Inness’s later 
i period, meadow land, trees, and a ‘pond 
| reflecting pink-tinted clouds, brought the | 
| highest price, $6,100. A smaller land- 
Iscape, 16 by 24, No. 24, of Inness’s 
| middie period, showing a dark belt of 
| trees. at the back, 3 pond in the fore- 
pees with a man in a boat, and 
warm-tinted clouds, went to Levy for 
| $5,100. “(The River,’’ No. 29, another 
| painting of Inness’s middle period, a 
| | stream running through the centre with 
| tree-covered banks on either side, a) 
}man in a boat in the foreground and a 
bridge in the distance, went to the Hol- 
land Galleries for $3,250. 
“Venice,” by Ziem, No. 69, went to 
Ww. G. Downey for $2,500, and another 
pleasing Venice by Franz Richard Un- 
terberger, No. 64, went to M. G. Hogan | 
for $465. Willlam Trost Richards’ s 
** Sea and Shore,’ No. 72,- went to 
Henry Schultheis for $1,000; ‘* Land- 
scape and Cattle,””. by Friedrich Voltz, 
i No. 87, went to S. Laird for $450; Leroy 
paid $310 for No. 40, Van Boskerck’s 
| ** High Noon, Near Niantic, Conn.’’; 
[the Holland Galleries paid $760 for No. i 
44, “Carisbad, * an avenue of trees with | 
| women in light gowns walking; Edwin | 
| Lord Weeks’s ‘ Gossip at the Foun- | 
| tain,” No. 47, went to M. A. ‘Hogan for | 
$280. 
*“Youth,’’ No. 55, by Charles Len- 


delle went to the Arlington Galleries | 
for $500; ‘‘ Floral,’ a graceful young 
woman robed in white, carrying 2 bas- 
ket of roses, about to ascend e stone 
steps of a terrace, No. 66, went to J. 
Sanford for $400; “Youth and Old 
.” by Girolamo Induno, No. 738, went 
to August Flatteau for $200. WwW aya 
aint Picknell’s ‘A ed by. 
Sea,’’ ea 82, went to C. Pca tehaar 


for $450 


| 


a 


oe 


for one and $5,100| 
ee F nness | landscape’ 
: ' went to the Holland , 

4 250. ok ava painting 
250, and. wr ealios “Po- 
went to Mr. Le Roy for} 
ne collec- 


ae: ‘Sales. 2 


that. sold for $150 
with titles and buyers: 
: in, ‘A Florist’s 
ep a: ‘arature “ot 
7. "A. Ollivotti. 
‘The Music , 


eens eeeeee 


see eee 


* Mr. Ge Roy...:. 
rea ara from the 


er.. 
ioe tiste | “Blowers 
went’, M Miss R. Lorenz... 220 
Oudinot, “On the “Oise”; 0. 
nt .-< w50eeere 160 
aaa Landscape 
interi si hes 176 
Van Boskerck, : 
Bast Lynn, 
. McDonough. 27 
acawaasaaine aves ; 
P 5,100 
“the | “River”; , 
Cae he BAR 


arian Siler gemange. Se 
ig” Lady “in | 
eevee awne 160 
Boskerck, 
Niantic, . 
810° 
50 
760 
Inness, ey. 
eerves . 8,100 
ieavriitians “Tait, | 
; ood 7 ime piace ae ‘ont igs 


ol mle ee? 6) eee 


ney | A aay Siw AL AL aera gue atx lee 
William “Prost baitatas. Sea) 
nd Shore’; Henry Schtithies.. 1,000 
Girolamo Induno, “Youth and 
/ Age’: August Flattau....... . B00 
HC “Chioggia’; Ollivotti.. 180 
$1—F., Tofano, “Alone at Dast Awe cic. 
153 
} 


coh gust Flattau . i 
82-—William Lamb nee 


ee hie the Sea’”’ ne . Krau- Aes 
450 


Weegee lene fer Us aa A Be ee Ie Dk Le ad Ed 


Liat aie aatoks 


o1—F -Tisconto, va ie in the "Wor- 
¥F 190 


$2208, To Frank. ee. eens 
oi Visconti, “uporest “of "Pontaine- 
bleau’’; Otto Bernet, agentiscice 600 


98—FErnest Koerner. ‘A Moorish | 
Pee é wo ow. Seaman, 10) 


ig etean: Huctavd Faequet, MLA. Pres 
Body Arrivée’; Otto ‘Bernet, - ne 
ot—Henri Lerolle, fre ” Potato Gath- > 
erers’; Mr. Lie ROy...-+-ser esses 1,100 | 


Good Prices for Dinner Plates. | 


. At the afternoon sale in the galleries: 
on Madison Square the principal interest | 
appeared to lie in the rare sets of dinner 
plates, which provught good prices. : 
S, S. Laird gave $320 for No. 129, a 
set. of twelve Minton falence ‘dinner 
plates; William H. Browning paid $200 
for No. 136. eighteen Coalnort porcetain 
plates; Mr. Martin got No. 139,twelve Min- 
ton faience plates for $360; O. F. Roberts 
paid $260 for No. 141, a set of crown: 
Derby plates; Mr. Town bought No. 142, | 
‘eighteen crown Derby plates, for $142; 
Mr. McDonald gave $215 for No. 143, 4 
set of crown Derby soup plates, and No. | 
144, eighteen bleu de roi dinner plates, 
went to Mr. Redman for be Ss Pata | 
The total for the afternoon was $5, 550. 
The Ames sale continues in the galleries | 
to-day. The Sterling pictures will be! 
sold to-night at the Plaza, 


a i SR j 


eS 


ON FREE PUBLIC VIEW 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, JANUARY 11TH, 1919 


AND CONTINUING UNTIL THE DATE OF SALE 
FROM 9 A.M. UNTIL 6 P. M. 


| THE 
ART COLLECTION 


OF THE LATE 


GOVERNOR OLIVER AMES 


OF MASSACHUSETTS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM OF 
THE PLAZA 
FIFTH AVENUE, 58TH TO 59TH STREET 
ON THURSDAY EVENING, JANUARY 16TH, 1919 
BEGINNING AT 8.15 O0’CLOCK 
AND 
ON THE AFTERNOONS OF THURSDAY AND FRIDAY 
JANUARY 16TH AND 17TH © 
AT THE AMERICAN ART GALLERIES 


BEGINNING EACH AFTERNOON AT 2.30 O’ CLOCK 


ILLUSTRATED CATALOGUE 


OF THE 


VALUABLE PAINTINGS 


AND OTHER ART PROPERTY 


BELONGING TO THE ESTATE OF THE LATE 


GOVERNOR OLIVER AMES 


OF MASSACHUSETTS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF THE TRUSTEES UNDER THE WILL 


ON THE AFTERNOONS AND EVENING HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE 
THE AMERICAN ART ASSOCIATION, MANAGERS 
MADISON SQUARE SOUTH 
NEW YORK 
1919 


as 


, THE AMERICAN ART ASSOCIATION 
_ DESIGNS ITS CATALOGUES AND DIRECTS 
a | | ALL DETAILS OF ILLUSTRATION _ 
j TEXT AND TYPOGRAPHY 
Ae 


oJ, 
ie Ay = 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 


ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the: Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 


in which the Association is in no wise engaged, and will not be 


performed by the Association for purchasers. The Association 


will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 
6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 
Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. : 
7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on. account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 
The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 


Madison Square South. 


EVENING SALE 


THURSDAY, JANUARY 16th, 1919 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FIFTH AVENUE, FIFTY-EIGHTH TO FIFTY-NINTH STREET 


BEGINNING AT 8.15 O’CLOCK 


No. 1 


A. MARIA LA MONACA 


SPANISH: CONTEMPORARY 


IN THE GARDEN a a 6 A fae LS 


Panel: Height, 11 inches; width, 7 inches 


A FULL-LENGTH figure of a lady, in white satin low gown, standing 
in a garden path and reading a book. Background of plants, 
in pots, and green foliage. 


$0” 


Signed at the lower left: A. La Mownaca. 


No. 2 


RUDOLPH EPP 
German: 1834—1910 


FEMALE HEAD 


4 4 —_— Panel: Height, 11 inches; width, 8 inches 


Heap and bust picture of a young woman, in three-quarters view 
to right; the hands holding a lock of her brown hair; red-brown 
a striped bodice. 

Signed at the upper left: R. Epp. 


Sot, Mawr Area 2 Fe by thas bilsg fod PNK — Arad p87, 


No. 3 


JAN VAN BEERS 
Beucian: 1852— 


ae Way A BLONDE 
BE frcedlerrtock : 
Panel: Height, 12 inches; width, 9Vy inches 


we A CAREFULLY finished picture of a blond young woman, with 
blue square neck gown and pearl necklace, the head in full face, 
inclined to left. 


Signed across the top: Jan Van Beers, Paris, 1882. 
| é  — Purchased from Noyes & Blakeslee, Boston, 


—. 


No. 4 


C. F. PIERCE 


AMERICAN: CONTEMPORARY 


HARLY SPRING 


Height, 10 inches; length, uae inches 


A FLOCK of sheep and lambs, in a lane, Se the early spring 


praned at the lower right: C. F. Prerce. 


No. 5 


DAVID JOHNSON, N.A. 


AMERICAN: 1827—1908 
a. vy. L Efer ne 


THE HOUSATONIC RIVER, 
NEAR BARRINGTON 


Height, 14 inches; width, 12 inches 


_ Tue waters of the Housatonic River and a tree-lined shore occupy 
the foreground and middle distance, on the right. At left are 
the nearer shore, with trees and a rowboat, tied up at the bank. 


0 A Sky of white clouds and blue. 


Signed at the lower left: J.D. in monogram, "76. 


Signed also on back of canvas: Davip JOHNSON, 1876. 
*4- : hs 3 ef 


a 
* 


No. 6 


JULES EMILE SAINTIN 
Frencu: 1829—1894 


MN. te herd A FLORIST’S SHOP 


Panel: Height, 18 inches; width, 81% inches 


A Parisian fleuriste, in light gray gown and black apron, stand- 

fl’ ing in the doorway of her shop, holding a bouquet in her hand; 

[, [ } on the sidewalk, in brackets and in the shop window, pots of flowers 
“ and blossoming plants. 


Signed at the lower right: Jures Emire Satntin, 1875. 


Eh ai eral 


—_——- 


CHARLES EDOUARD DELORT 
Frencu: 1841—1895 


Panel: Height, 121% inches; width, 91% inches 


A COQUETTE as es” 
9 the nmet Aah 


Fa A HALF-LENGTH picture of a pretty girl, the body in profile to 
() right, and the head turned to face the spectator; white frilled 
bonnet, with pink ribbon; cloak of pink and green shot silk, with 


fur collar. 
Signed at the lower right: C. Detorr. 


Purchased from Gustave Reichard, New York. 


: 
: 


No. 8 


ALBERTO PASINI 
ie IrauiaAn: 1826—1899 


DEPARTURE OF A PERSIAN CARAVAN 


Height, 9 inches; length, 12 inches 


Four horsemen, with a musician beating cavalry drums riding 
with them, are advancing in the foreground at the head of a 
caravan; on the left a figure, dismounted, with a rearing horse, 
under a tree; sunlight effect and blue sky. | 


Signed at the lower right: A. Pasrnt, ’59. 


Painted from studies made during the artist’s travels in Southern Persia, 
1855-56, as stated in French inscription on back. 


ANTONIO PASCUTTI 


ITALIAN: CONTEMPORARY 


THE MUSIC ROOM Aes f 
0 al Panel: Height, 14% inches; length, 18 inches | 2 y, 


In a room, with Empire furniture, two ladies are making music, 
one, in long, flowered low gown, seated before a spinnet, with high 
top and small clock, the other in pink, playing a guitar. 


Signed at the lower left: A. Pascurri1, 1874, 


55- 


No. 10 


WILHELM MENZLER 


GERMAN: CONTEMPORARY 


YOUNG WOMAN IN PROFILE 
Panel: Height, 13°, inches; width, 1014 inches 


A HEAD and bust picture of a young woman, in profile to left, 
with white satin cap ornamented with gold and jewels, black, 
fur-trimmed neckpiece and chain of beads. 


Signed at the upper left: W. Menzter, 1878. 


No. 11 
C. MACCARI 
Iranian: 1840— 
Q O Ade THE FORTUNE TELLER 


16 


Panel: Height, 12 inches; length, 16 inches 


A croup of two figures composed of a young woman, wearing a 
brown velvet cloak, and an elderly one of the peasant class, both 
seated. The old woman, in a sumptuous armchair, is telling the 
other’s fortune from a pack of cards and what she is saying is 
eagerly received. 

Signed at the upper right: C. Maccart, Roma. 
From Galerie Pisani, Florence. 


No. 12 


ARMAND CHARNAY 
Frencu: 1844— 


THE CHATEAU—AUTUMN 


Height, 13814 inches; length, 18% inches 


a. OAc 


A cHaARMING little landscape depicting the grounds of a French 
chateau, which stands on the border of a lake, in the right center 
ee of the composition; at left, the trees of the park with sparse 
brown leafage; in the foreground, a lady in black, reading a book, 
| a _as she walks along a path by the lake; sky of gray clouds. 


Signed at the lower left: A. Cuarnay. 


MK. bE 4 


both Uw Anne Ht 29.ttba BA OSs > 


No. 13 . 


ERNEST JEAN AUBERT 
Frencu: 1824—1906 


YOUNG FRENCH WOMAN 
Height, 18 inches; width, 14 inches 


A HALF-LENGTH picture of a young French woman, with brown 
hair, in full face; white low gown, red drapery about the shoul- 
ders and a bunch of roses held before her; landscape background. 


Signed at the lower left: Jean Avsert, 1880. 


| a 

| /0 
y 

| 


No. 14 


BAREND CORNELIS KOEKKOEK 
Dutcu: 1803—1862 


NEAR TIEL, HOLLAND 


; 7A 7 
Height, 16 inches; length, 2014 inches /¥ : Le toy 
{/ 
@® A vannvscareE in Holland with a road in the foreground on which 
are a man, a boy, two cows and, farther away, a cart; a cottage 
and figures, at right; level pasture lands, with cattle, and a 
glimpse of the Rhine, at left; sky of white and gray clouds with 


spaces of blue. Painted with careful attention to detail. 


Signed at the lower right: B. C. Korxxork, rc., 1839. 


No. 15 


FRIEDRICH OTTO GEBLER 
GERMAN: 1838—1896 | 


Jit and Leth : 


SHEEP 
Panel: Height, 13 inches; length, 18 inches 
{_— : k : ; 
| ths Two white ewes, a brown one and a lamb, in a stable; light falling 


from a small window in the upper right center. 


Signed at the lower left: Orro GrepiEr. 


No. 16 


ROBERT WARD VAN BOSKERCK, N.A. 
AmERIcAN: 1855— 


POST-OFFICE, NEAR LAKE GENEVA 


| ‘atl Height, 13 inches: length, 181% inches 
4 > a g 9 Ye 


A wipE highway leads from the foreground with a red-roofed, 
white-walled building, on the right; before the doorway, a peasant 
and his cart; at left, a glimpse of a river and distant hills. 


Signed at the lower right: R. W. Van Boskercx. 


I. Cols x J m1 


. oe 
ee 


he 


} 


9 


No. 17 


PAUL L. VIRY 


FrEeNcH: CONTEMPORARY 


RETURN FROM THE HUNT 


QA 
Panel: Height, 161, inches; length, 21 inches A. 


a“ A GENTLEMAN, in Louis XIII costume of silver gray with yellow 
sash, has returned from shooting and is taking the collar off 
from one of his dogs. He is seated beside a table in a dining hall 
with stone chimney piece and his wife, in pale blue and lilac gown 
is bringing him a glass of wine. 


Signed at the lower right: Paut L. Viry, 1875. 


No. 18 
og Keven, Age JEAN BAPTISTE ROBIE 
“aad A / Berean: 1821—1910 


FLOWERS AND FRUIT 


Panel: Height, 15%, inches; length, 20 inches 


A BuncH of flowers, including a pink rose, a tea rose and other 
flowers; a basket of strawberries, on the grass, at right, where 
there is a little bird, and some purple plums. 


Signed at the lower left: J. Roster. 


No. 19 


to Oe 


d scene, with trees and boulders at 
of a wood, at right, and a view of 


No. 20 
A. VAN DAM 
Dutcu: ConTEMPORARY 


SKATING- L hoe: ay. 
eet Ne aoe AND iv. J 
H eight, 174% inches; length, 20 inches 


_ TER scene in Holland with skaters on a river, at right, and a 
high, cat turreted building on the left; sky of gray clouds. 


‘Signed at the lower left: Ap. Van Dam, F. 1867, Axosr. 


| 
| 
| 
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No. 21 


A. OUDINOT 


FRENCH: CONTEMPORARY 


deri 496 | 


ON THE OISE 


Panel: Height, 16 inches; length, 27 inches 


A LANDSCAPE of pearly gray tonality, depicting the river Oise, 
with shore at the left, lined with tall trees and hills and woods in 
the distance, on the right. The sky is of qualified blue with white 


clouds. 
Signed at the lower right: A. Ounrnor. 


From the Noyes § Blakeslee Galleries, Boston. 


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No. 22 


C. F. PIERCE 


AMERICAN: CONTEMPORARY 


SPRING LANDSCAPE AND CATTLE , "/ By, | 
—_ . Height, 18 inches ; length, 24 inches h ‘ J AS 

A Herp of cows are coming forward on the bank of a stream flow- 
ing through the pasture, nipping the early spring herbage or 
sipping a drink as they pass. A group of trees, a hillside, at 
left, and distant fields, with cattle, on the right, complete the 
eee which lies under a sky of gray with a bit of blue. 


Signed at the lower right: C. F. Pierce. 


No. 28 


ROBERT WARD VAN BOSKERCK, N.A. 
AMERICAN: 1855— 


THE MILL POND, EAST LYNN, 
CONNECTICUT 


Height, 20 inches; length, 30 inches a i Dowrrw- 


A rep mill, screened by two large trees, appears in the left centet 
of the landscape with the water of the pond covering the fore- 
ground; a rowboat drawn up at the shore, at left; a wooded hill- 
side, back of the mill, and a sky of light blue-gray. 

Signed at the lower left: R. W. Van BosKercx. 


No. 24 


yp GEORGE INNESS, N.A. 


AmeErRiIcan: 1825—1894 


LANDSCAPE 


Height, 16 inches; length, 24 inches 


A THOROUGHLY representative landscape of the Inness middle 
: period remarkable for fine tone and atmospheric envelope. Level 
? green meadows and a little stream with a man in a boat occupy 
4 99 the foreground. Across the middle distance stretches a belt of 
\ trees with two fine oaks standing out prominently. Beyond lies 

a hillside with woods and scattered houses, and in the distance is — 
| a range of high hills. The sky with hazy warm tinted clouds and 
a suggestion of blue in the upper part is filled with the light of an 


-autumn afternoon. 


Signed at the lower left: G. Iyness. 


lotion: 


‘nis Mahe Depa 


bs SiiadReRe ad aS eed 


———— OOo 
€ pa 


ee 


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No. 25 


G. LEKIGIAN 


CoNTEMPORARY 


| QZ. bie, ANh a AMONG THE TOMBS 


Water Color: Height, 27 inches; width, 191% inches . 


Two figures, one a young man, with dark blue jacket, white trous- 


other a young woman, in pale yellow robe and white headdress, 
standing beside him. Many other headstones are seen on the 
slope behind the figures and, overhead, is a blue sky with white 
clouds. 


yl 3 0 < ers and turban, seated on the base of an Oriental tombstone, the 


Signed at the lower right: G. Lexicran, Trazisor, Asta. 


No. 26 


C. F. LOTS 


ConTEMPORARY 


0 i, HW ahh LANDSCAPE 


“Curt 
Height, 21 inches; length, 2734, inches 


eo A ROAD, with a covered wagon, winding from the foreground over 
: O a mountain slope down into a valley; a peak on the right and, 
beyond, a plateau with a river; sky, gray and warm tinted white 


clouds. 3 
Signed at lower right center: C. F. Lots, 746. 


ey 


No. 27 


JOHN FREDERICK ENGEL 


GERMAN: CONTEMPORARY 


WALKING IN THE PARK . 


Height, 26 inches; width, 17 inches Aitthday brrgntiitine 


pA LITTLE as with brown velvet jacket and buff breeches, is 
~ coming forward on a pathway leading to a doorstep, 1 in the fore- 
sina, leading by the hand a little girl, dressed in pink satin. 
é wa In the distance the mother is seen slowly following. 


Signed at the lower right: Joan Frev, Encer, Municu. 


te . Purchased from M. Knoedler & Co., New York. | \ p if a 


MK. SEH 4 
| Sole thon Anes Absypst BU KK 
| No. 28 
% ; Z ETTORE SIMONETTI 


IraLtIAN: CONTEMPORARY 
AT THE COSTUMER’S 
Water Color: Height, 291, inches; width, 1912 inches 


L bo A party of ladies and gentlemen wearing fine clothes of the First 


iis, 


a Empire, in an elegant apartment, discussing the costumes that 
a tailor exhibits for their inspection. 


_— Signed at the lower left: Errore Simonet, Roma, 1881. 


cof te borg: 
ii gr vi i 


No. 29 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


THE RIVER 


Height, 16 inches; length, 24 inches 


Pa at 


o A tanpscaPE of the Inness middle period exhibiting the best quali- 
/ £0 ties of his rendering, color and general tone. A river with placid 
4 ri waters occupies the middle portion of the composition, with its” 
A banks on either side covered with trees in diversified foliage tints 
of green and suggestions of yellow brown, indicative of the first 
days of autumn. In the distance a bridge crosses the stream 
and the sky, with some masses of white cloud, shows strong blue in 


the upper part. 7 
Signed at the lower right: G. Innuss. 


ak Jello - 


ee nom + ee = aoe Ee ~ 


SS eee - TT 


ne — ec Sie <a ee 


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No. 80 


rae PIERRE CHARLES COMTE 
( ho andar Frencu: 18238—1895 


a 


LA TOILETTE 


Panel: Height, 28 inches; width, 21 inches 


CT 


A youne woman, with long blond hair, wearing a gown of pink 
satin, is judging the effect of a white rose she holds in her hair 
in a small handglass, as she stands before a dressing table. Be- 
side the table sits another young woman in low gown of black. 


Signed at the lower right: P. C. Comte. 


— eT ae 


No. 81 
GIACOMO MANTEGAZZA 


Iranian: CoNTEMPORARY 


STREET MUSICIANS 
Height, 311, inches; width, 191, inches 


dL. 0 hiwdili x Col 


A youne woman in peasant costume, dancing and playing a tam- 
bourine, two men playing pipes and a boy holding up his hat to 
‘receive a coin that is being dropped by a child from a first floor 
window of a hotel, where among the travellers appear two Eng- 
lishmen wearing sun veils on their hats. 


Signed at the lower right: G. Mantecazza, Mitano. 


No. 32 


L. DONZETTI 
Frencu: 1834— 


THE SETTING SUN 


fs /) 
| Panel: Height, 17 inches; length, 28%/, inches +a ty pl aA 
| THE sun, masked by a curtain of gray clouds, is ee to the 
| _— horizon and illuminates the clouds below with warm and brilliant 
y) light. The landscape of pleasant French farm country shows a 
: pond in the foreground meadows and buildings and trees in the 


middle distance. 
Signed at the lower right: L. Donzerri, 1890. 


y 


o 


No. 33 


F. COPPOLA CASTALDO 


IraLiIAn: CoNTEMPORARY 


; aes jet SEA AND SHORE 


Height, 17 inches; length, 30 inches 


a square castle on a headland, near the middle of the picture; 
shores in the distance and the blue expanse of the sea, at the 


t S A PEBBLE beach, with a boat drawn up and some bathers at left; 
b right; summer sky of pale blue with white clouds. 


Signed at the lower right: F. Coppota CasTarpo, — 


From Louis Pisant Gallery, Rome. 


No. 34 


P. ALDI 


ConTEMPORARY 


it. PHA CAUGHT IN THE ACT 
Height, 17 inches; length, 3114 inches 


In the hall, with tesselated floor, of a convent, a little boy, who 
has somehow gained admittance, has climbed upon an oaken seat, 
and is covering the wall with charcoal outlines of soldiers and 
war horses. A white-robed monk is stealing up-behind him, a 
cat-o’-nine tails in his hand, to administer swift punishment, while 
other monks are watching from the doorway. 


Signed at the lower left: P. Arpt. 


. 


No. 35 


LOUIS NEUBERT > 
GERMAN: 1846— 


a LANDSCAPE | EE G | 
oa es a ae Height, 16 inches; length, 3114, inches | 


A PIECE of sandy shore and shallow water, in the foreground: a 
level plain, beyond, on the right; rising ground and a line of hills 
| on the left; sky of white clouds and spaces of blue. 


Signed at the lower right: L. Neuzerr. 


=e ~~ SON. 86 


P. ARMENZ 


GERMAN: CONTEMPORARY 


PEASANTS IN TOWN 
Height, 25 inches; length, 3514 inches 


A party of countrymen in their farm jackets, corduroy breeches 
and bell-crown hats, have invaded a café in the city and are 
sitting on red velvet gilt stools in the middle of the room, while 
various habitués of the place and a coxcomb of a waiter are star- 
ing at them. 

; Signed at the lower left: P. Anmenz, "72. 


No. 87 


FRIEDRICH VOLTZ 
GERMAN : 1817—1886 


3.9. hand LANDSCAPE AND CATTLE 
Height, 151% inches; length, 364, inches 
a A HERD of cows and a bull calf beside a stream and scattered 


i J *mong the trees of a greenwood and the tall grass along the 


shores. Under a spreading tree, at right, sits a cowherd. 


Signed at the lower right: Fr.- Vorrz, 1874. 


i No. 38 


(| WILLIAM FRANKLIN LANSIL 
1 AMERICAN: 1846— 


es ae YG atom WAITING FOR THE TIDE 


Height, 22 inches; length, 36 inches 


A croup of sailing vessels, in the central foreground, with dories 


moving about in the waters; a square-rigged ship, farther away, 
on the left; sky of gray clouds with blue in upper part. | 


Signed at the lower left: W. F. Lanstm, 1882, Boston. 


No. 389 


Fr. EK. BERTIER 


Frencyo: ConTEMPORARY 


A LADY IN BLACK yf 


Height, 29 inches; width, 24 inches py dasercrn Caauly 


» A HALF-LENGTH picture of a lady with dark hair, full face, head 
a __ inclined to left, wearing a black gown trimmed with fur; the 
= hands clasped on a crimson: cushion. Painted when the artist 


visited New York. (ae 


3 fo is Joa oi "Signed at the upper meg: F. E. Bertier, New York, 1887. | 
a he tt Age BIXX q. ae 


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- 
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No. 40 


ROBERT WARD VAN BOSKERCK, N.A. 
AMERICAN: 1855— 


HIGH NOON, NEAR NIANTIC, CONN. 


Height, 20 inches; length, 30 inches Bw ‘ 6; io 


In the lower half of the composition are the smooth waters of a 
river, covered with lily pads and their white blossoms; in the 
middle distance, at right, a grove of trees; at left a sloping bank ; 


sky of pale, warm gray. 
Signed at the lower left: R. W. Van BosKERcK. 


le Bree Laue. s fan 30 go Jn. 
| Leite, Wlur Xblees Morn 


No. 41 


E. NICZKY 


GERMAN: CONTEMPORARY 


Dhathavrk Sathur SPRING 
Height, 33 inches; width, 21% inches 
A LaDy, in an elegant costume of white, trimmed with brown 
pa velvet, hat with plume and collar of black fur, is walking through 
() a forest park, with a little girl at her side, who is dressed in 


crimson velvet. In the left foreground, a bush with pink blossoms ; 
seen beyond through the tree trunks, the white walls of a castle. 


Signed at the lower right: E. Niczxy, 1878; Mincuen. 


MK. Jo/G « 


Se ae a eS 


a 


No. 42 


| a | EK. NICZKY 


| GERMAN: CONTEMPORARY 


| | “CAUGHT” 
hl d Lath annul 


Height, 33 inches; width, 22 inches 


'h0 ON LADY, with gown and hat of crimson velvet, who has just risen 
from a marble seat in a park, where she has been hid from view 


by a massive pillar, descries a pair of lovers who are billing and 
cooing as they stand on a terrace a short distance away. 


Signed at the lower left: E. Niczxy, Mtncuen, 1878. 


Purchased from Goupil and Co., New York. 


MK 10/7, 


| Setd. Wl Aynto the bio Sip AE ANS » Yok 12878 


G al py | 


m. “9. 3 big: 


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No. 48 


F. MAZZOTTA 


ITALIAN 


THE YOUNG CULPRIT 


Height, 25 inches; length, 36 inches 


In the kitchen of a peasant’s home a good grandmother has been 
cooking a casserole of beans over a charcoal fire, set on a stand, 
on the floor, but has fallen asleep. Meanwhile her grandson has 
slipped in from work in the fields, and is slyly helping himself 
to a spoonful while his little sister, sitting by the grandmother’s 
side, looks on with interest. 


Signed at the lower right: F. Mazzorra, 1879. 


No. 44 


MIHALY DE MUNKACSY y? - 
Hunearian: 1846—1900 


k 


CARLSBAD J Lytp pd 


Height, 25 inches; length, 36 inches 


Aw avenue, lined with trees, in the park of the springs at Carls- 
bad, occupies the foreground, with a lady in white, walking, and 
other figures. On the right a lady, in pink, and a little girl, at 
the side of a brook. Sunlight filters through the trees and 
specks the roadway and the grass. 


Signed at the lower right: M. pe MunxKacsy. 


MK K4AH . 


Sola Deru, Arius tua 17 jbb 3 » oh: OXXKY 


Ni No. 45 


GEORGE INNESS, N.A._ 
AMERICAN: 1825—1894 


LANDSCAPE 


Academy board, cradled: Height, 221% inches; length, 34 inches 


ae LANDsCAPE of the Inness later period characterized by his syn- 


thetic handling, strong color tints and unity of ensemble. On the 
right of the composition a piece of meadow land and some trees 
appear in vigorous green, while on the left a pond reflects, with 
contrasting violet hue, the pink-gray tinted clouds that are seen 
in the sky, near the horizon. In the distance, a stretch of country 
receives a gleam of light, on a hillside at left, and a strip of blue 
"in the sky is reinforced by dark clouds above it. 


Signed at the lower right: G. Inness. 


ee See ES eee ee ne Te ee ee 


LP Le 


Nh. nate 


t 
ap 


A 


No. 46 


ARTHUR FITZWILLIAM TAIT, N.A. 
AMERICAN: 1819—1905 


“TREED—A GOOD TIME COMING’ 


Height, 30 inches; width, 25 inches 


A parr of hounds, white, liver-color and black, have treed a black 
bear, seen hanging over a limb of a big tree, and are baying 
furiously in the attempt to dislodge him, In the woods, at the 
left, another bear is climbing over a mound and will soon join in 


the sport. 
Signed at the lower right: A. F. Tarr, 1876. 


Signed, also, on back of canvas: No. 52. A. F. Tarr, 1876. 


| 
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| 


No. 47 


EDWIN LORD WEEKS 
AMERICAN: 1849—1903 


GOSSIP AT THE FOUNTAIN, 
RABAT, MOROCCO 


Height, 35% inches; width, 27 inches 


Two young Moorish women, one standing, at right, the other 
seated on the curb of a fountain basin and holding an earthen jar 
where the water flows from a spout in a setting of green, blue and 


yellow tiles. 
Signed at the lower right: E. L. Weexs, Rasar, 1879. 


No. 48 


eo, I. H. CALIGA | 
A own AMERICAN: 1857— 


REMINISCENCE 


Height, 27 inches; length, 35 inches 


A HALF-LENGTH, life-size, seated figure, in profile to left, of a 
young woman dressed in white, with a pillow behind her in the 
armchair and holding a book in her lap. On the left, a curtained 
window and a palm, on a small table. 


Signed at the upper left: 1. H. Cariea, 1889. 


No. 49 


WILLIAM THOMAS SMEDLEY, N.A. 
AMERICAN: 1858— 


THE WEEKLY MAIL 


/ ° 
) Qa ‘ge J Hh Lin 
Height, 30 inches; width, 21 inches 


a, 7 ds elderly man, with rotund paunch, seated in an armchair beside 
an open window, looks up, over his spectacles, from the newspaper 
he is reading as he listens to the news a young woman, standing 
on the other side of the window, has received in a letter she holds 
in her hand. On the floor lies the old gentleman’s hat stuffed with 


letters and papers. 
Signed at the lower left: W. T. Smeptey, ’81. 


No. 50 


5 M. F. H. DE HAAS, N.A. 
AMERICAN: 1832—1895 


IN THE HARBOR—MOONLIGHT . 
f a“ Height, 33 inches; width, 24 inches C 107 f Lawit al er 
l 


A sauarE-ricceD ship, with a tug beside it, on the right; at the 
left, a sailboat; beyond, the buildings and docks of a city. The 
full moon, halfway up in the sky, sheds its beams over the waters 


in the foreground. ; 
| Signed at the lower left: M. F. H. pe Haas, 776. 


No. 51 


PAUL WEBER 
id. fp. Lagrictn- German: 1823— 
¢ - LANDSCAPE 
Height, 21’ inches; length, 86% énehes 


the right, a farm house, in the right center, and a belt of trees, 
beyond; on the left, a green slope with cattle grazing, and 
through the middle foreground a winding road. A town is seen 
in the distance, at left, and the sky is filled with gray and white 
clouds. 


(, _— A LanpscaPE depicting farm country, with a field of ripe rye, on 


Signed at the lower right: Paut Weer, 1868. 


No. 52 


RICHARD BURNIER 
Dutcu: 1826—1884 


JUuthivde Delh> TLANDSCAPE AND CATTLE 


Height, 34 inches; width, 261, inches 


‘eg — Two cows, facing the spectator, in the foreground, and a Dutch 
f . peasant girl walking slowly beside them, at right, knitting as she 
goes. The landscape setting, painted in an effect of morning light, 
consists of trees, at left, a plain enveloped in mist, at right, and 


a gray sky. : 
Signed at the lower left: R. Burnier, 780. 


No. 538 


ALFRED L. BELLOWS, N.A. 
AMERICAN: 1829—1883 


THE MILL IN THE DINGLE 


Height, 23 inches; length, 36 inches 


te. Y, Mter - 


Tue mill is seen, embowered among the trees, at the extreme left. 
In the middle foreground, crossing a bridge over a stream, a 
farmer is driving a wagon loaded with sacks of grain, and at the 
extreme right is a road leading up to the hillsides which enclose 
the valley. Summer sky with white clouds. 


Signed at the lower left: A. F. Brtiows, 1866. 


a 
She 
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No. 54 
cs KNUT EKWALL 
Ah CAN SCANDINAVIAN: 1843— 


MOTHER AND CHILD 


Panel: Height, 33 inches; width, 26 inches 


A xapy, in white flounced gown, trimmed with light blue ribbons, 
reclining on a couch and holding her little boy beside her as he 
plays with a white dog beside the couch. The figures are seen 
in an interior with much carefully painted detail. 


Signed at the lower left: Knut Exwatt. 


No. 55 


CHARLES LANDELLE 
Frencu: 1821—1908 


YOUTH oe eee” 


Height, 391, inches; width, 33 inches b 


A LIFE-SIZE, semi-nude figure of a young woman, with white 
drapery, seated to left with head turned in full face to right; 
landscape setting of green foliage and a pool indicated in immedi- 


ate foreground. 
Signed at the lower right: Cu. Lanperire, 1877. 


No. 56 


ETIENNE ADOLPHE PIOT 
ia : FRENCH: CONTEMPORARY 

i wr - 

1; Z Te 8) et 

i. Cm. hs YOUNG WOMAN 

| Height, 814 inches; width, 254% inches 


| 7 A HALF-LENGTH, life-size seated figure of a young woman, in low 
i 5 gown of gold and white satin; the head in full face and inclined 
| to left; a jewel in the left hand and a fan in the right. 


Signed at the lower right: A. Prior. 


No. 57 


MARCO CALDERINI 


ITALIAN: CONTEMPORARY 


We ke Keng | SPRING LANDSCAPE 

Height, 271% inches; length, 381% inches 
rf 0 @& Aw open space in a wood, with a stream in the middle foreground ; 
os 


on the banks, some slender birches; across the canvas, a wall of 
green forest in springtime leaf, and overhead a gray sky. 


Signed at the lower left: M. Carprertnt, 775. 


Exhibited at the Turin National Exposition, 1880. 


No. 58 


A. GUERRA 


Iranian: ConTEMPORARY 


ITALIAN PEASANT INTERIOR | 
Height, 247 inches; length, 381 inches — ly. f, ieee As) 7 | 


12 os «=A PARTY of Italian peasants at a meal, spread on a table at right, 
i, in a large room with a great fireplace, which occupies the left 

half of the composition. A buxom maid is carrying a large dish 
of good things to the table and a man, straddling a bench, plays 


- a mandolin. 
Signed at the lower left: Guerra, 1881. 


From Alfredo Candida Gallery, Florence. 


No. 59 


ee : ALESSANDRO RINATOL 


IraLtiIAN: CoNTEMPORARY 


THE MUSIC LESSON n OLwel sae 


Height, 371, inches; width, 26 inches 


! ___Iy the organ loft of a church, with a sister at the keyboard, on 
| 0 — the left, and another in the middle of the composition, a group 


of a dozen children, music books in hand, are rehearsing choruses. 
One little girl, on the right, is not paying attention but idly peers 
over the gallery rail. 


Signed at the lower left, Rrnatou Atess., Mirano, 1882. 


H 
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No. 60 


N. RIEGEN 


DutcH: ConrTEMPORARY 


G Her kik. A HARBOR IN HOLLAND 


Height, 26 inches; length, 391, inches 


A croup of Dutch fishing boats, with men and women aboard, 
appear in the middle of the composition. On the right, a piece 
of shore, with buildings and figures; on the left, other boats, 
farther out at sea. Sky of blue with warm-tinted white clouds. 


Signed at the lower right: N. Rincen, Fec., AMSTERDAM. 


No. 61 


MAX VOLKHART 


GERMAN: CONTEMPORARY 


Leth - COURTSHIP 


Height, 3634 inches; width, 80 inches 


A croup of two figures in a room with a window, at left, giving a 
view of a town with red-roofed houses. A man, perhaps a soldier, 
in black and gray, seated on a stool beside a green-covered table 
and holding a cup of wine, is addressing compliments to a pretty 
girl, also seated, who is dressed in gray, red and white and holds 


a rose in her left hand. 
Signed at the lower left: Max Votxwart, op. 108. 


No. 62 


KNUT EKWALL 


SCANDINAVIAN: 1843— 


SAYING GRACE 


Sle 
Panel: Height, 3134 inches; length, 39 inches f 


a" FAMILY group about a dining table in a well-furnished apart- 
ment. The meal being finished, a little girl, standing with hands 
clasped before her mother, is giving thanks and a little boy stands 
at her side in the same attitude. The father, in the background, 
is reading his evening paper. 

rae Signed at the lower right: Knur Exwatt. 


No. 63 


A. GUERRA 


ITraLian: CONTEMPORARY 


AN ITALIAN PEASANT HOME 


Height, 36 inches; width, 25%/, inches JY: fp. arf We An 


0 a 

0 A stuccorp house, showing an archway in the first story, rises 

Ee. to the top of the canvas, with stone steps, on the right, leading 
to the floor above. In the courtyard, which is screened by a vine- 
covered trellis, a woman and a girl are busy with household duties 
and a flock of hens and a rooster are picking about. 


Signed at the lower left: A. Guerra, 1880. 


No. 64 


FRANZ RICHARD UNTERBERGER 
Austrian: 18388— 


VENICE 


Height, 23 inches; length, 43 inches 

| A view of Venice with the Doge’s Palace and the Campanile in 
the middle distance. In the right foreground are a steamer, some 
vessels with red, white and yellow sails and a gondola. Other 


Gee vessels and a steam yacht appear near the middle of the picture 
f) and at left. Rosy morning sky. 


Signed at the lower left: F. R. Unversercer. 


On back of canvas: Venezia, Iraty, F. R. Unversercer, Bruxerzes. 


vA 
: : 
¥ = > yoke 
: ‘ eae f \ \ . 
oF ee Te Oe eee Sek Spree ee ; ; Hye : : i. 
; ; a an Ps ee lea [UA armies POS ee : a ‘ oie! ' r . \ 
a a ee De Mee! ’ » : : min Bea a nt Secor tie So ed WSR 2 72 ON NET 


No. 65 - q 


CHARLES JONES, R.C.A. 


BrittisH-CaNADIAN: CONTEMPORARY 


| AN AUTUMN EVENING, 
| WORCESTERSHIRE 


Height, 24 inches; length, 42 inches 


0 a A ¥Fuock of fine sheep on a slope in the foreground and in the 

middle distance, at the left, a valley and range of hills. Evening 
sky of blue with the setting sun, just above a bank of purple 
cloud. 


Signed at the lower right: C. J. 790. 


Signed also on back of canvas: Cuartes Jonss, R.C.A. 1890. 


No. 66 
MULLER-KURZWELLER- — ; /? 


ert 


GERMAN: CONTEMPORARY 


A WINTER EVENING 


Height, 274, inches; length, 42 inches 


a / 


i A scENE on the edge of a wood, which appears at the right, with 
‘ n “a frozen stream in the foreground, and a cottage in the left 
/ D middle distance. The ground is covered with deep snow and the 
sky, in the east, is tinged with pink as are the tops of the forest 


trees, 
Signed at the lower left: Miitter-Kurzwetier, 1890. 


No. 67 


R. GALLON 


BritisH: CONTEMPORARY 


ENGLISH LANDSCAPE 
 . Height, 24 inches; length, 4114 inches 


G4 


au RIVER, in the foreground and winding away on the left, past 
Ee poetry church ; on SG ae trees ¢ on the eee a low wes 


Signed at the lower left: R. Gatton. 


/ oS No. 68 


FREDERIK HENDRIK KAEMMERER . 
Durcu (Frencu Scuoor): 1839—1902 


FLOREAL S 
Height, 431, inches; width, 2542 inches 3 
A FULL-LENGTH figure of a young woman, in low white gown and 


straw-colored fringed sash, carrying a basket of roses and about 
to ascend the stone steps of a terrace, at left. 


Signed at the lower right: F. H. Karmmerer. 


Purchased from Boussod, Valadon & Co., Paris. 


No. 69 


FELIX ZIEM 
Frencu: 1821—1911 


a b. Mraraty VENICE 


Height, 261/, inches; length, 44 inches 


A BRILLIANT sunlit picture of Venetian waters, with boats with 
¢ & ved and yellow sails and gondolas moving about. In the middle 
distance, at right, the Church of St. Maria de Salute and other 
buildings. Blue sky. 

Signed at the lower left: Ties 


De Bees 


No. 70 


A. B. FORMIS 


‘ CoNTEMPORARY 
hrs | 
ENVIRONS OF CONSTANTINOPLE 


Height, 25°, inches; length, 491, inches 


Ow a level space of sand and sparse grass, with a pagoda and 
wall on its borders, parties of Turkish ladies are seated on rugs, 
and, beyond, in the shade of large trees that grow by the river- 
side are gatherings of many people. The effect is in sunlight 
and the sky is of tempered blue and white. 


Signed at the lower right: A. B. Forms. 


0° 


a 


No. 71 


A. B. FORMIS 


CoNTEMPORARY 


THE AFTERNOON PROMENADE 
Height, 251%, inches; length, 4914 inches y, the d 


A scENE in the environs of Constantinople at the hour before 
dinner when the ladies of the harems take their outings on the 
river and the members of the diplomatic corps enjoy a drive or 
a horseback ride. In the foreground, on the river bank, a 
party of ladies; on the opposite shore, at left, a summer palace 
amid the trees, and on the right, equipages and equestrians; 
evening sky, suffused with pink and yellow. 


Signed at the lower right: A. B. Forms. 


Ps 
De 


No. 72 


4 
—“ WILLIAM TROST RICHARDS 
ey AMERICAN: 1833—1905 
iw me Honorary Member, National Academy of Design 


SEA AND SHORE 
bLhunr Height, 27 inches; length, 47 inches ; 


Tue sea, in the foreground, is breaking over rocks, at the right, 
and the shore, occupying the middle portion of the composition, 
shows slopes of greensward rising to a rocky mound. Sky of gray 


and white clouds. 
Signed at the lower left: Wm. T. RicHarps, 1887. 


No. 73 


GIROLAMO INDUNO 
IratiAn: 1827—1891 


YOUTH AND OLD AGE se 


Height, 321, inches; length, 4714 inches 


In a baronial apartment with oak wainscoting, tapestries and 
carved stone chimney piece, a young man and a young woman 
playing chess have stopped their game to give attention to what 
an elderly man, in a long black fur-trimmed velvet robe, is saying 
to them, while another elderly seigneur sits by the fireplace and 
turns his head to listen also. 


Signed at the lower right: Girmo. InpuNo, Minano. 


No. 74 


Fr. H. TOMPKINS 


AMERICAN: CONTEMPORARY 


Bae: 3 j : A YOUNG MOTHER 
am a e uit 
x Height, 431, inches; width, 31 inches 
4 A vurer-quarTERs-LENGTH, life-size, seated figure of a young 


00 woman in profile to right; brown dress and white collar; at her 
! " side, in the background, a baby in a cradle. 


Signed at the lower left: F. H. Tomexins, Mtneuen, 85. 


No. 75 


HUGO MUHLIG 


GERMAN: CONTEMPORARY 


Henny, 5S ALA PEASANTS ON THE HIGHWAY 
Y Height, 31 inches; length, 48 inches 


A LANDSCAPE in the Low Countries with a broad road leading from 
the left foreground to the middle distance, where it turns, at the 
right; on the left a plain in the morning mists and a town; 
gray sky. On the highway, coming toward the spectator is a 
long line of donkey and dog carts carrying milk and other farm 
products to market. 


Signed at the lower left: Huco Miuuic, Dor, (Dusseldorf). 


a Je ae 


a ee ae ae eee 


tied. ee 


No. 76 


CLARDI 


ITALIAN: CoNTEMPORARY 


CHIOGGIA 


Height, 30 inches; length, 5014 inches 


» 7° Gs : | 
h. Ghercthi pla 
Tur smooth waters of the bay of Venice, reflecting a sky of blue | 
. ® with white clouds on the horizon, fill the lower half of the composi- 
tion. In the central foreground is a rowboat with fishermen draw- 
ing in their nets and a boy at the bow. In the distance, at the 
left, the buildings of Venice and, at the right, a blue line of shore. 


Brilliant sunlight effect. 
Signed at the lower left: Craronr. 


No..77 


CIARDI 


Iratian: ConNTEMPORARY 


FISHING canis 
; {/ ° 
Height, 30 inches; length, 50 inches CA : Y LAM AL Fas (ip. 


| On the smooth waters. outside of Venice, occupying the lower half 
Vi of the canvas, is a boy fishing from a punt. In the distance lies 
jo | the shore line, and overhead is a sky of broken gray clouds with 
| openings showing pink and warm tinted white. 

Signed at the lower right: Crarpi, VENEZIA, 1882. 


pee 


No. 78 


A. B. FORMIS 


CoNTEMPORARY 


P/ a G. Ven dist THE PASSING CARAVAN 


Height, 251% inches; length, 49 inches 


A caravan, with a white camel in the lead, is seen advancing on 
a road through an oasis of the desert, its passage raising clouds 
of dust. On the right, in a grove of palm trees, are long low 
buildings and numerous figures; at left, on the roadside, tents 
and a group of Arabs; gray-blue sky. 


Signed at the lower right: A. Fors. 


No. 79 


A. B. FORMIS 


C 4 Ege: de G ‘an i CROSSING THE STREAM 


Height, 25 inches; length, 49 inches 


In the foreground is a wide, shallow stream with some large boul- 
ders in its bed, across which, coming toward the spectator, some 
cows are being driven by a party of peasant women and children 
who are wading the stream. In the middle distance, the opposite 
shores extend across the picture. Sky of gray clouds. 


Signed at the lower right: A. Forms. 


Pees 


mae NO“ S80 


Me, 


AURELIO TIRATELLI. 
Tratian: 1842— 


AN ITALIAN FAIR a } tranth 


Height, 244, inches; length, 53842 inches 


aoe tents, ia cee and Pole: in the middle atte a 
eo castle 0 on a hill; Eee effect under a sky of blue. 


ee _ Signed at the lower right: A. Trrareri1: Roma, 1889. 


, No. 81 


E. TOFANO 


Iratian: ConTEMPORARY 


ALONE AT LAST dag 4 Coit 


Height, 52 inches; width, 30 inches 


A WELL-KNown picture that has long enjoyed popularity, repre- 
senting two figures, a man in evening dress and a lady whom he 
is closely embracing, dressed in a wedding gown of white. The 
setting for the figures is a luxurious apartment, with a large 
palm in the background and flowers on the mantelpiece, at right. 


Signed at the lower left: E. Torano. 
Signed also on back of canvas: EH. Torano, “78. 


Ct,. Mrurhave 
No. 82 
WILLIAM LAMB PICKNELL, AN.A. 
| is American: 1852—1897 | : 
So A COTTAGE BY THE SEA 


Height, 36 inches; length, 50 inches 


A Brirrany landscape with the foreground in shadow and a 
thatched cottage, in the right middle distance, shining in the 
sunlight; at the left, an estuary and, beyond, a line of hills. Sky 
of heavy clouds. : a 

Signed at the lower left: W. L. Prcknett, 85. 


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No. 83 


CHARLES LANDELLE 


A WOMAN OF THE EAST 


Height, 511% inches; width, 3314, inches 


| Frencu: 1821—1908 
bic pm ssi es 


a 


A THREE-QUARTERS-LENGTH, life-size figure, in full face, of a 


| | 4, . beautiful young woman of Oriental race, wearing headdress and 


loose gown of white, jewelled bandeau around her forehead and 
elaborate necklace. The right hand rests on an earthen jar. 


Signed at the lower right: Cu. Lanverie. 


Purchased from Goupil & Co., New York. 


No. 84 
- 2 EK. FONTANA 
7. f KL UA.  Tratran: ConTEMPORARY 


THE MAID AND THE MARMITON 


Height, 511% inches; width, 391%, inches 


A wattine maid, with low blue frock and white, lace-trimmed 
» @ apron, standing beside a pantry, is receiving somewhat insistent 
addresses from a good-looking cook’s boy, in white cap and 


jacket, who leans over a sideboard on which there is a dish of pears 
and grapes. 


Signed at the lower right: E. Fontana, Mirano, 1882. 


No. 85 


F. VISCONTI 


FrencH: CONTEMPORARY 


LANDSCAPE 


Height, 33% inches; length, 5814 inches 


| a In the foreground, at the right, a pool where women are washing 
LA _—lothes, and, at left, large trees with brown foliaged branches 
0 spreading over the upper part of the canvas; a cottage, fields 
and trees in the middle distance, and sky of pale blue with great 


— masses of white cloud. ~ 
Signed at the lower right: F. Visconti, 778. 


No. 86 


JEAN XAVIER FRANCOIS ROFFIAEN 
Frencu: 1820— 


LE LAC DE WALLENSTADT . pei: 


Height, 3414 inches; length, 57 inches 


the foreground of the picture and stretch away in the distance, 
on the right, between the mountain shores. A boat with an 
awning, rowed by a peasant girl, is seen in the right foreground 
and there is another on the left. The middle distance is occupied 
by the mountains, painted with great care as to detail; blue sky, 
with white clouds. 


0 ‘Tue mirror-like waters of the Lake of Wallenstadt extend across 


Signed at the lower right: J. F. Rorriarn, 1869. 


Fjo~ 


No. 87 


JULES JOSEPH LEFEBVRE 
Frencu: 1834— 


SALOME 


Height, 59 inches; width, 36 inches 


A THREE-QUARTERS-LENGTH, life-size figure of a young woman, 
with black hair falling over her shoulders, full face with head 
inclined to left. The costume consists of lace drapery about 
the shoulders and a skirt of red with patterns in gold, white and 
black. The left hand rests on the hip, while with the right she 
holds a brass platter on which rests a double-edged short sword. 


Signed at the lower left: Jutes Leresyre. 


(Oriental inscription in upper left hand corner.) 


Purchased from William Schaus, New York. 


Sine 


om oe a 


No. 88 


en H. SCHNEE —@g 


GERMAN: CONTEMPORARY 


AFTER THE CHRISTENING 

Height, 411% inches; length, 561% inches 
A roan, in the foreground, with a wall at left, and the branches 
of a great tree, which grows on a green bank, at right, spreading 
above it leads from a fine old stone church; on the roadway, a 
young peasant woman, carrying her white-robed baby, her hus- 
band and an elderly woman are coming from the doorway and 
spectators are standing about. 


Signed at the lower right: H. Scunes, 790. 


No. 89 


EK. FISCHER 


GERMAN: CONTEMPORARY 


A SWISS LAKE 
Height, 331, inches; length, 691, inches 


Tue lower half of the canvas is occupied by the smooth waters 
of a lake, with a pebbly point of shore extending from the left. 
At the extremity of the point three boats are tied up and fish nets 
are drying, at the left. Mountains form the shores on either 
side and the sky is filled with gray clouds. 


Signed at the lower right: Ep. Fiscuer, 790. 


No. 90 


CLEMENT R. GRANT 
AMERICAN: ConTEMPORARY 


(Member Boston Art Club) 


DAY DREAMS Pats 
Height, 5% inches; width, 38. inches ip 


A THREE-QUARTERS-LENGTH, life-size figure of a young woman, 
with brown jacket, dark blue skirt and black cap with white band, 
standing with hands clasped in pensive attitude as she leans 


against a tree. the background of the landscape, a view of 


the sea. \ 
Signed at the lower left: C. R. Gran. 


No. 91 


F. VISCONTI 


FreENcH: CONTEMPORARY 


A POOL IN THE FOREST 


Height, 46 inches; length, 6514, inches 


5. y. Srank 
Wi Lan 


In a rugged foreground, on the edge of a forest, is a pool, the 


appear two hills. A row of thatched cottages lines the edge of 
the woods. 


| q O “ and back of the belt of trees, in the middle of the composition, 


Signed at the lower left: F. Viscontt, 776. 


No. 92 


FRANCESCO GIOVANNI MANCINI 
Iranian: 1829— 


p Vg 
rekek La Crust 4 ROAD NEAR NAPLES 


Height, 621% inches; width, 41 inches 


A CARRIAGE, in which ladies are riding, drawn by three chestnut 

40 “horses, is coming forward on a road at a lively pace, urged on 
| by the driver, who is standing up on the box and cracking his 
whip; on the left, a high cliff; on the right, a stone wall; beyond, 

a wide valley and a mountain peak. Blue sky with scattered white 


clouds. 
Signed at the lower right: F. Mancrni, Napout, 1881. 


water reflecting a mass of white cloud, high up in the sky,. 


LS ee ee ee ee oe ey ee 


en. — 


No. 93 


V. CORCOS 


FrENcH: ConTEMPORARY 


oy THE BALCONY iG | 
i Ui Ohwdhl: Re 


Height, 44 inches; length, 71 inches 


IR REE ladies, dressed in fashionable costumes of the eighties, 
ated on a balcony overlooking the city of Paris. On the right, 
1 the corner of = balcony. a white azalea in bloom. 


Signed at the lower left: V. Corcos, ’84. 


~ 


a wee . No. 94 


F. VISCONTI 


FreNcH: ConTEMPORARY 


Height, 541 inches; length, 15 inches 


F FONTAINEBLEAU , & es 
FOREST OF FONTAINEBLE aie A ay 


_ A STRIKINGLY composed landscape, with great forest trees on the 
3 ~ right and a pond in the left center; other trees at left and in 
| 4 ee _ middle distance, and ot of dark, rolling clouds and blue. 


Signed at the lower left: F. Visconti, 776. 


7 TAR Gn ees MOORISH MARKETPLACE 


a 


Die burns, C4 


1h 5 


No. 95 


ERNST KOERNER 


GERMAN: CONTEMPORARY 


Height, 53 inches; length, 79 inches 


A scENE just outside of a Moorish city with many figures in the 


foreground where vegetables, cakes and other articles are exposed — 


for sale, and a man on a camel riding through the crowd. The a | 
buildings of the town extend across the picture yaar a group of . 


palm trees at the left. Sky of gray-blue. 


niles at the lower oe Ernst KoerNeEr, 1890. 


No. 96 


JEAN GUSTAVE JACQUET 
Frencu: 1846—1909 


LA PREMIERE ARRIVEE 
H eight, 93 inches ; width, 56 inches 


Tue celebrated picture by Gustave Jacquet which was greatly 
admired and favorably criticised when it was exhibited at the 
Paris Salon. A beautiful young woman with blue velvet, em- 
broidered cape and white satin skirt, holding a long staff in her | 
right hand, has been the first of a little party to reach the top 
of an eminence in a park, two young men and another young 
woman following and just mounting a slope, at the left. This 
charming picture is painted with the well-known skill of a talented 
French artist. , | si 

Signed at the lower right: G. Jacquet, 1879. 


(Illustrated) 


[]00°: 


No. 97 


HENRI LEROLLE 


| Pet Ss Koy Frencu: 1851— 


THE POTATO GATHERERS 


Height, 79 inches; length, 116 inches 


A CELEBRATED picture by the well-known artist Lerolle: 'Two 
young women are seen in the right foreground harvesting pota- 
toes, one wearing a red skirt, the other a black one. Bags filled 
with the crop stand about them and in the distance are some 
trees, a flock of sheep, at right, and level fields. 


a AAG 


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LIST OF ARTISTS REPRESENTED AND 


: . THEIR WORKS 
/ CATALOGUE 
. NUMBER 
| _ ALDI, i 
‘ Caught in the Act | 34 
_ ARMENZ, P. 
i= ——C@Peasants in Town re 86 
e AUBERT, ‘Ernest Jean eo 
7 s | Young French Woman 13 
in BELLOWS, Aurrep L., N.A. 
| —s« The Mill in the Dingle 58 
[= BERTIER, F. E.- 
pe A Lady in Black | 39 
i= BURNIER, RIcHARD 
— Landscape and Cattle 52 
| CALDERINI, Marco _ 
3 Spring Landscape oT 
|= CALIGA, I. H. 
1 _ Reminiscence 7 48 
E - CASTALDO, F. Corpora 
| 9 Sea and Shore 33 
i | 
i 
i ; 


CHARNAY, ARMAND 
The Chateau—Autumn 


CIARDI 
Chioggia 
Fishing 


COMTE, Pierre CHARLES 
La Toilette 


CORCOS, V. 
The Balcony 


DE HAAS, M. F. H., N.A. 
In the Harbor—Moonlight 


DELORT, CuHarites Epovuarp 
A Coquette 


DONZETTI, L. 
The Setting Sun 


EKWALL, Knut 
Mother and Child 
Saying Grace 


ENGEL, Joun FREDERICK 
Walking in the Park 


EPP, RupoLteH 
Female Head 


CATALOGUE & 
NUMBER 


12 


76 
77 


30 


50 


27 


Beer sCHER, EK... | 
sf wa A Swiss Lake 
_ FONTANA, E. 

The Maid and the Marmiton 


é 
A 


_FORMIS, A. B. 

__———s Environs of Constantinople 
The Afternoon Promenade 

_ The Passing Caravan 
Crossing the Stream 


ime «GALLON, R-~ 

' English Landscape 

e 4 ay : GEBLER, Friepricn Orro 
| — Sheep 

2 - GRANT, Ciement R. 

: > aa Day Dreams 


—_— GUERRA, A. 
i= az Italian Peasant Interior 
An Italian Peasant Home 


as INDUNO, Girotamo 
Youth and Old Age 


_INNESS, Grorcr, N.A. 
. _ Landscape 
The River 


Landscape 


CATALOGUE 
NUMBER 


89 


84 


90 


73 


‘ 


JACQUET, Jean GUSTAVE 


La Premiére Arrivée 


JOHNSON, Davin, N.A. 
The Housatonic River, near Barrington 


JONES, CuHaries, R.C.A. 


An Autumn Evening, Worcestershire 


KAEMMERER, FrepERIK HENpDRIK 
Floréal 


KOEKKOEK, Barenp Corners 
Near Tiel, Holland 


KOERNER, Ernst 


A Moorish Marketplace 


LA MONACA, A. Marta 
In the Garden 


LANDELLE, CuHartes 


Youth 
A Woman of the East 


LANSIL, Winiiam FRANKLIN 
Waiting for the Tide 


 LEFEBVRE, Juss J OSEPH 


Salome 


CATALOGUE | 
NUMBER | 


96 


68 
14 


95 


38 


87 


CATALOGUE 
NUMBER 
LEKIGIAN, G. | 
Among the Tombs 25 


LEROLLE, HeEnrI 

The Potato Gatherers UL 
LOTS, C. F. 

Landscape 26 
MACCARI, C. 

The Fortune Teller 11 


MANCINI, Francesco Giovanni 
On a Road near Naples 92 


MANTEGAZZA, Gtacomo 
Street Musicians | 31 


MAZZOTTA, F. 
The Young Culprit 43 


MENZLER, WiLHELM 
Young Woman in Profile 10 


MUHLIG, Hveo | 
Peasants on the Highway 75 


MULLER-KURZWELLER | 
A Winter Evening 66 


MUNKACSY, MrHaty DE 
Carlsbad Ad 


NEUBERT, Lovis 
Landscape 


NICZKY, E. 
Spring 
“Caught” 


OUDINOT, A. 
On the Oijse 


PASCUTTI, ANTONIO 
The Music Room 


PASINI, ALsBEerto ; 
Departure of a Persian Caravan 


PICKNELL, Wu11aM Lams, 4.N.A. 
A Cottage by the Sea 


PIERCH, C. F. 
Early Spring | 
Spring Landscape and Cattle 


PIOT, Errennr AbDOLPHE 
Young Woman 


RICHARDS, Wituram Trost 


Landscape 
Sea and Shore 


 RIEGEN, N. a. 
A Harbor in Hollan 


RINATOL, ALEssanprRo 


The Music Lesson — 


: ROBIE, Jean Baptiste 


Flowers and Fruit 


ROFFIAEN, Jean Xavier FRAncots 


Le Lac de Wallenstadt 


I 3 fa SAINTIN, Jutes Emir 


Pe ee eS ee ae i 
cM Oy tee Ene a ees ee ; 
Ah ecg ." as ahs 7 : 
aes Bais New rs . 

t 


me ee es 


| 
i 


E) f at. 


i 


{ee SeRHRG 


1 


: ee 
\ Se 


A Florist’s eer 


SCHINEE, H. 
After the air serine 


SIMONETTI, ieee 
= At the Costumer’s 


1 es : 
SMEDLEY, WituaMm THomas, N.A. 


The Weekly Mail 


/ TAIT, Artuur Firzwituium, N.A. 
“Treed—a Good Time Coming” 


TIRATELLI, Avretio 


An Italian Fair 


- TOFANO, E. 


Alone at Last 


TOMPKINS, F. H. 
A Young Mother 


CATALOGUE 
NUMBER 


59 


18 


86 


88 


28 


49 


46 


80 


81 


(e) 


i ee i 


UNTERBERGER, Franz RicuHarp 


- Venice 


VAN BEERS, Jan 


A Blonde 


VAN BOSKERCK, Rozert Warp, N.A. 


Post-office, Queechey, Lake Geneva 
The Mill Pond, East Lynn, Connecticut 
High Noon, near Niantic, Conn. 


VAN DAM, A. 
Skating—Holland 


Vel Ryo Arie | 
Return from the Hunt 


VISCONTI, F. 


Landscape 
A Pool in the Forest 
Forest of Fontainebleau 


VOLKHART, Max 
Courtship 


VOLTZ, Friepricu 
Landscape and Cattle 


WEBER, Pav 
Landscape 


CATALOGUE 
NUMBER | 


64 


20 


61 


37 


P Pea ate eee sa Ne gl 
a 2 ie — 
Age} “ ; j 


: 
ae 


: CATALOGUE 
NUMBER 
iKS, Epwin Lorp 


Gossip at the Fountain, Rabat, Morocco 


AT 
ZIED I, Fiurx eed 


- e 69 
7 
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- i . ot ee eee 27 
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FIRST AFTERNOON’S SALE 


THURSDAY, JANUARY 16, 1919 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


TABLE GLASSWARE 


98—Twenty BoHEemian Ruspy Guass GosBLets 


Elongated gadrooned bodies on short feet, enriched with 
cartouches, floral scrolls and bandings in raised gilding. 


99—Twetve Bonemian Rusy anp Enamet WINE Grasses 
Inverted conical ruby bodies, quatrefoil bases, enriched with 
floral sprays in colored enamels and gilding. 


100—Twentve Bonemian Ruspy anp Enamet WINE GLASSES 


Similar to preceding, but with white glass bodies. 


101—Twetve Bonemian Rusy Guass TumMBLERS 
Finely cut and gilded decoration of scrolled cartouches, 
flowers and bandings. 


102—ELEvVEN Crear Guass TUMBLERS 


Similar in pattern to preceding. 


103—Twenvy-ricut Bonemian Rusy anv. EnamMet TumBiers 
Richly gilded and enamel floral grounds with recurring qua- 
trefoil reserves holding dainty flower sprays; small size, by 
“Barrach.” 


as 


First Afternoon 


104—Sert or Bonemian ENAMELED Guiass TUMBLERS 


Three handsome gilded and enameled leaf sprays rise from 
the foot. Consisting of: eleven in ruby enamel, ten in blue, 


and eleven in red and green. Small size. 


105—NinetEeen BonemiAn Green Cur Grass TumMBLErs 
Heavy, tapering, faceted bodies, with plain gues rims. 
(One rim chipped.) 


106—Twenty BoHEMIAN CuT AND GILDED Guass TUMBLERS 


Slightly swelling bodies, the lower portions enriched with — 
spear-shaped faceted cutting; above, sunk and gilded gar- — 


lands of flowers. 


107—Twetve BoHEmMIAN YELLOW Guass Tati WINES 


Hexagonal faceted stems with white spiral interior deco- 
ration; bowls with six oval medallions cut to the clear 


white ground; enriched with raised floral scrolls and bands 


of gilding. 


108—NINETEEN GILDED CrystaLt GuAss TUMBLERS 


Fine clear bodies with round bases, supported-on three 


gilded cornucopie. (Small size.) 


109—NINETEEN GILDED CrystaL Guass TUMBLERS 


Similar to preceding, but of larger size. 


110—FirTreen GinpED CrystaL CHAMPAGNE GLASSES 


Goblet shape, supported on pear-shaped feet and three 
gilded cornucopie. 


LLI—NINETEEN Cut ann Ercuep CrystaL Guass 'TuMBLERS 
Richly decorated with birds, large foliage and flowers. 


ee 


Jt 
ae 


—, 


ER. 


First Afternoon 


112—E1cHTEEN Cut ano EtcHEpD CrystTaL CHAMPAGNE GLASSES 


_ Funnel-shaped bowls enriched with birds, large foliage and 
flowers; faceted hexagonal tapering stems, gilded bands. 


113—E1cHTEEN CuT AND EtcHeEp CrystaL Tati WINE GLASSES 


Similar to preceding. 


114—Ser or Gitpep Cur Guass 
Richly decorated with deeply cut and gilded garlands of 
flowers. Consisting of: Twenty champagne glasses, twenty 
finger bowls and twenty plates for same, and five tall com- 
potiers. 


PORCELAIN DINNER WARE 


115—Twentve DecoratTep PorceLaIn PLATES 


Gilded scroll and leaf rims, allover decoration of small 
bouquets of yellow flowers. 


116—Twetve Royvat Worcester PorcELain Cake PLateEs 
Skilfully decorated with sprays of maiden-hair fern in 
- gilded relief, and dragon-flies in low tones, on pale straw- 
yellow ground; gilded rims. 


117—Twetve Dovrton Farence Fruir PLatss 
Raised floral scroll rims, borders of gilded stars semé on 
pale coffee-colored ground, centers delicately painted with 
varied spring blossoms by ‘*Wilson.” 


118—E1cutTEen Royat Porcerain Fruir PiLates 
Gilded scalloped rims, borders enriched with three jeweled 
and enameled winged cartouches in brilliant colors; sprays 
of grapevines and apples in raised natural colors and gild- 
ing, spring from the cartouches and are tied with bowknots 


of pale blue ribbon. 


First Afternoon 


119—Eient Rovat Porceain Caen PLATES ) 
Gilded, scalloped and scroll rims; the centers decorated with 


groups of Cupids amongst clouds. Each plate illustrates a 


Theme of Music or the Arts, in Boucher style. Pale straw- 
yellow backgrounds. 


120—Twetve Royat Worcester PorceLaIn Dessert PLATES 
Borders enriched with floral stars, valances and bandings 
in raised gilding; the centers finely painted with loose 
bouquets of varied summer flowers, roses, dahlias, stocks and 
poppies. 


121—Twetve Ricuty Decoratep Dovuron Farence DESSERT 


PLATES 
Shaped, scalloped borders enriched with raised and gilded 
husks and wave bands of dull reds; centers of varied 
branches of raised growing flowers, roses, chrysanthemums, 
poppies and violets, executed in various tones of gilding. 


122—T ree Decorated Royat Minton Farence Puates 

(a) Gilded border decorated with transparent lozenges, 
center painted with group “Cupid and Psyche” by A. Boul- 
lemier. 

(s) Border, raised gilded bands guarding a wide, rich tur- 
quoise-blue ground, occupied by raised scroll and canopy 
motives in white. Center painted with subject, “Spring.” 
(c) Slightly scalloped gilded rim, rose-du-Barry border 
with raised, gilded scrollings. Center painted with “Still 
Life” panel. 


123—Two Drespen Porcretain Oren Borper Puatres 
- Intricate pierced and scalloped borders of forget-me-nots, 
basket-work and delicate scrolls; the center panels painted 
with “Cupids” and “Watteau pastoral scene” on bleu-de- 
rot and gilded grounds. (One repaired.) 


First Afternoon 


124—Royat Vienna Porceiain PLATE 
Border enriched with crimson and raised, gilded scrolled 
panels, and oval reserved medallions. Center painted with 
group “Vortigern et Rovena” after Angelica Kauffmann. 


125—Four Royat Vienna Porcetarn PiateEs 
Elaborate scrolled borders in raised gilding and rich blue; 
the centers variously painted with subjects after W. Kray, 
Beyschlag and Kiesel, ‘‘Allegorie der Winter,” “Psyche 
am Meer,” “Griechisches Madchen” and “Tochter des 
Scheik.” 


126—Fovur CorEetanp PorceLaIn PLaATEs 
Richly gilded and jeweled scroll borders. Three painted 
with female heads, and one with classic seated figure by S. 
Alcock. 


127—Twetve Royat Worcester PorceLatn DinNER Piates 
Decorated in brilliant colors in the psuedo-Chinese style. 
Borders of green scales and diapers interrupted with flower 
panels; centers, birds-of-paradise among flowers. 


128—Twetve Dovurtron Farence Dessert PLATEs 
Blue relief scrolled borders in the Louis XV style; centers 
painted in blue with various “Historic Scenes” and “Cas- 
tles of Britain,” Chester Castle, Haddon Hall, Melrose 
Abbey, Queen’s Cottage and Dunluce Castle. 


129—Twenve Minton Farence Dinner PLarteEs 
Beautifully gilded borders pierced with key fret and oval 
medallions; the centers in colors with various domestic and 
country themes of a lady of degree, painted by A. Boul- 
lemier. (One repaired.) | 
From the famous Mary J. Morgan Collection Catalogue, No. 1180. 


First Afternoon 


180—Twetve Ricuty DECORATED COPELAND PORCELAIN PLATES 


Slightly scalloped edges, borders beautifully enriched with 
jeweled shells, scrolls, pateras and fleurs-de-lis in fine gild- 
ing; the centers decorated in delicate colors with varied 
female standing figures in classic draperies, by the noted 
porcelain painter, S. Alcock. 


181—TuirtEen Royat Dounton Faience Frouir PLates 


Deeply scalloped rims in dull tan and gilding enhanced with 
relief scrolls; centers decorated with various growing flow- 
ers in colors and outlined with raised gilding, creeping 
bamboo, clematis, blue-bells, Christmas bush and golden- 
wattle. 


182—Twenty Royat PorceLain DLNNER PLaTEs 
Gilded, scalloped and pierced basket borders enriched with 
pale yellow panels alternating with others sustaining bou- 
quets of varied colors which trail over toward the centers. 


First Afternoon 
a a a ai ee a CN 


1383—NInE DEcorRATED Sevres Dessert Puates 


Finely paneled borders of blew-de-rot, enriched with conven- 
tionalized bouquets in gilding; the centers occupied by 
varied themes of “Chevalier et Dame,” painted by and signed 
“K.. Sieffert de Sévres.” 


184—Srvenreen Decoratep Minton Farence Dinner Prates 
Borders enriched with banding, shells, husk garlands and 
floral medallions in raised gilding on a fine ivory glaze. 


Slightly scalloped edges. 


1385—NIneTEEN Royart Beri Porcerarn Dinner Puares 
Decorated in the Louis XV style, the centers with varied 
bouquets of flowers and garlands in natural colors; the 
borders enriched with six alternating scalloped panels of 
slightly modeled floral scrolls and sprays, and open basket- 
work richly gilded. 


First Afternoon 


136—EIcHTEEN RoseE-PInk AND GoLp CoaLport PorcELAIN Din- 
NER PLATES 


Gilded, gadrooned and scalloped edges, the border and dip — 
enriched with an irregular band of rose pink finished with 
floral raised gilded scrollings in the Louis XV style; between 
the rim and first scrolling is semé with gilded points; lus- 
trous cream grounds. 


137—NIneETtTEEN Roya Porcenain DINNER PLATEs 
Slightly scalloped, pierced borders enriched with gilding 
and pink garlands; the centers occupied by different noted 


castles carefully painted in red: ‘‘Godesberg,” ‘*Marks- 
burg,” ‘‘Oberlahnstein,” “Ellfeld’’ and others. 


1388—Twetve RicHty Drecorarep PorceLain DInNER PLATEs 
IN THE Roya VieENNA MANNER 


Varied borders enriched with alternating vase medallions 
and panels of pale blue, deep crimson, straw yellow, lavender, 
pale pink and raised gilded scrollings and bandings. Centers 
painted with classic female and Cupid themes after Kray, 
Avesler and Tillier. 


First Afternoon 


189—Tweutve Ricuty Decoratep Minton Farence DINNER 
PLATES 


Borders pierced with key fret and oval medallions flanked 
by bands and garlands in raised gilding; centers, octagonal 
medallions of Cupids in bistre on dark crimson backgrounds. 
Six have Sévres blue surrounds enriched with husks and 
flanked by cream, and six have cream surrounds flanked by 
rose pink. 


140—NINETEEN Royat Porceiain Dessert PLates 


Gilded scalloped borders with alternate scrolled shell and 
pierced basket panels, lined on the lower edge with pale 
pink. Centers painted in old red with varied groups of 
Cupids, representing various themes of “Music,” “Driving 
Dolphin,” and the “Arts,” in the manner of Boucher. 


First Afternoon 


141—SIxTEEN Crown Derpy PorcELAIn DINNER PLATES 


_ Wave edge, borders and centers enriched with raised, gilded 
floral scrolls simulating old lace; under borders gilded. 7 


142—EicHTEEN Crown Derpy PorceLarn Dinner Puates | y ; a 
Bleu-de-roi, enriched on the borders with floral diapers, — 
spear-shaped floral and scroll motives in raised gildings. 


143—EI1cHTEEN Crown Dersy Soup Puates 


Similar decoration to preceding. 


144—E1cHTEEN Biev-pF-rot PorcELAIn DINNER PLATES IN THE 
Royvau VrirenNA MANNER 


Borders and dips enriched with floral scrollings in raised 
gilding; circular center medallions in reserve of varied 


Ideal heads of young girls after A. Seifert, H. Knocht and 
V. Bauer. ae 


First Afternoon 


145—Twetve Royat Vienna Porcetain Arrer Dinner Correr 
Cups AND SAUCERS 
Elongated cups with gilded scroll handles; bodies decorated 
with varied classic themes: “Psyche,” “Amor,” and ‘‘Cu- 
pids”; short spreading feet in rich crimson, jeweled and 
gilded. Saucers occupied by richly gilded eee pan- 
els of crimson and blue, pink and pale yellow. 


146—Royat Vienna Porcenain WINE Ewer anv Tray 
Ewer, ovoid body with a broad, gilded band enriched with 
painted groups of Bacchanalian Cupids in reserve; foot, 
neck and spout of crimson enriched with gilded scrolls and 
grapes. Tray, circular, with broad, gilded band enriched 
with groups of Cupids painted in reserve, illustrating 
“Spring,” “Summer,” “Autumn” and “Winter.” Painted 


by Sibl. 
Height, 111, inches; diameter, 12 inches. 


COLLECTION OF VENETIAN GLASS 


_ By the Famous Makers, Dr. Salviati, Testolini and The 
Venezia Murano Compagna 


147—VENETIAN Guass VasE | 
_By Testolini. Swan design, the plumage and head in clear 
glass, the beak in dull red, the body granulated with metal to 


resemble avanturine. (Tail chipped.) 
Height, 31%, inches. 


148—Two BorrLE-sHAPED VENETIAN Guass VASES 


By Testolini. Slender, cylindrical expanding necks, high, 
baluster spreading feet; one clouded with pale olive, the 
other ruby pink and milk-white glass flecked with silver. 


Heights, 71, and 71, inches. 


First 


149— 


Afternoon 


Two Rare Venetian Grass VasEs 
By the Venezia Murano Compagna. One in the form of an — 
open-mouthed fish, composed of blue and clear glass mottled 
with silver on body and gold on fins, diagonally placed on a 


glass stem and broad short foot. (Tail imperfect.) The 


150— 


other a slender, lily-shaped vase with two scroll handles at 
the bulbous base. Rich royal-blue glass with bulb and 
handles in clear glass. . 

: Heights, 7 and 7%, inches. 


Pate YELLow VENETIAN Guass VaAsE AND PITCHER 

By Dr. Salviati. Long, loose lily in yellow, lined in white, 
held almost horizontally by a coiled sea-serpent with head 
erect; short foot and serpent of pale blue iridescent glass. 
Helmet-shaped pitcher on low, broad foot; a sea-horse in 
bluish clear glass placed with two paws on rim, forms the 


handle. 
Heights, 814 and 7%, inches. 


151—Two Parte Biuve VEnETIAN Guass VASES 


By the Venezia Murano Compagna. Cups in the form of flat 
gadrooned shell supported by two twisted and looped spirals 
with floral termination of clear and amber glass flecked with 
gold. Low, broad feet of blue glass powdered with silver. 


Height, 8 inches. 


152—Two VENETIAN Guass VASES 


By Dr. Salviati. One a lily-cup of clear yellow glass sup- 
ported by a coiled and winged sea-horse in clear glass. The 
other a vase in the form of a Damascus lamp; ribbed glob- 
ular body and long funnel neck, curiously marbled with pink, 
yellow and milk-white on pale amber; four intricate scrolled 


sea-horse handles of clear glass. 
Heights, 914, and 8 inches. 


149 


153 


151 


First Afternoon 


1583—Two BravutiruL SLENDER VENETIAN Guass GOBLETS 


By The Venezia Murano Compagna. One, graceful incury- 
ing bowl with flutings and bosses under in clear ruby glass 
flecked with gold, two clear glass handles of scrolled and  _ 
winged sea-horses with red tongues, fine baluster stem en- 
riched with six open scroll supports; ruby foot. The other, 
with ribbed pear-shaped bowl enriched with a double row 
of bosses and flutings under; scroll handles partially of clear 
glass flecked with gold, high bell foot; lovely iridescent clear a 
sky-blue glass. Heights, 914, and 91/ inches. 

(Illustrated ) | 


154—Two Venetian Guass Bowus 


One an incurving bowl on short foot, enhanced with four 
scrolled dragon-head handles terminating in shells. Amber 
glass flecked with gold, simulating avanturine. The other 
a bowl with upright sides ribbed in three places; of lovely 
iridescent clear sky-blue glass enriched with two scrolled 
sea-horse handles, two lion-masks, four bosses and short — 
scroll feet, in delicate clear amber glass. Diameters, 4 inches. 


155—Two Venetian Guass Dotputn Drinxine VEssELs 


By Dr. Salviati. One with upcurving tail and scroll handle, 
on small, low circular foot; under-gills of blue glass. One 
with head uplifted and mouth open, and tail scrolled forming 
handle, on broad short foot. Both straw-yellow, with en- 


richment of milky-white and clear glass. 
Heights, 6 and 4 inches. 


156—Two Venetian Guass Wine Ewers 
By The Venezia Murano Compagna. Ribbed pear-shaped 
bodies; slender necks with trefoil-lipped mouths, from 
which spring molded scrolled strap handles; short bell feet. 
One splashed with crimson-pink, blue and green on a milky 
glass and flecked with gold; the other with ruby splashes 
on slightly. milky glass. Heights, 103%, and 1134 inches. 


First Afternoon 


157—Two Pater YELLow VENETIAN Guass VASES 


By Dr. Salviati. One bottle-shaped, on stemmed low foot; 
enriched with six clear glass scroll handles holding loose 
pendent rings. The other pear-shaped, with slender neck 
and expanding mouth, stemmed short foot. Enriched on 
shoulder with three shell and scroll handles alternating with 
small shell orifices for individual flowers. 


Heights, 7 and 81%, inches. 


158—IripEscent Pate Buive VENETIAN Guass VAsE 
By Dr. Salviati. Double gourd-shaped, with slightly spiral 
ribbings, enhanced at neck with two intricate handles of 
scrolls and sea-horses in clear glass, delicately flecked with 


silver. 
Height, 7 inches. 


159—VENETIAN Guass Tripricatre VASE 
By Testolini. Tapering bodies, with incurving necks, lily- 
shaped mouths; marbled with deep blue and milky-white 
glass terminating at the foot in clear amber, flecked with 
silver. : 
Height, 7 inches. 


- 160—Patr YELLOW VENETIAN Guass VASE AND WINE-POoT 


By Dr. Salviati. Spiral ribbed conical body terminating 
in a vertical lily-mouth, two sea-horse and scroll handles of 
clear glass. Globular, with trefoil mouth expanding into 
scroll-shell spout, S-scroll handle and loose bail handle of 
clear glass held by loops on shoulder. Both lined with milk- 


white glass. | 
Heights, 9 and 614, inches. 


161—T wo BorriLe-sHAPED VENETIAN Guass VASES 


By Testolini. Slender expanding necks, on high feet. One 
invested with warm amber and milky-white glass, the other 
marbled with dull crimson and milk-white on blue-black 


glass; both flecked with silver. 
Heights, 74, and 71/, inches. 


First Afternoon 


162—Two Venetian Grass Wine Ewers a 
By The Venezia Murano Compagna. One globular, with 
slender neck and duck spout, scrolled loop handle, on short 
baluster stem and broad foot. Clear glass enriched with 
beautiful spiral bandings of deep rose outlined with crim- 
son, flanked by gilded and narrow milk-white lines. The 
other depressed globular, with neck wound with spiral scroll, _ 
loop handle, enriched with glass nulling; set on rosetted __ 
diminishing baluster stem and broad foot. Clear lapis-blue 


marbled with bluish-white glass. 
Heights, 1034, inches. 


163—Two Rose Pink VENETIAN Guass VasEs 
By Testolini. (a) Pear-shaped body, slender neck and 
wave lip, short foot; enriched with spiral on neck in clear 
glass. (B) Dolplin vase, with upcurving tail extended — 
and forming scroll handle; low foot; fins and gills in clear 


glass. Sa 
Heights, 8 and 6%, inches. ; 


164—VeneTian Guass Two-HanpLED Bown . 
Patterned from an old Roman model. Short serrated foot 
and rim, rustic handles. The body enriched with recurring _ 
shell and spear-shaped motives and a band of circular 
plaquettes ; veined with rich purple, lavender and ‘blue. = 


Diameter, 454 inches. 


165—Parte YELLow VENETIAN Grass PITCHER 
By Dr. Salviati. Horizontal, pear-shaped body elongated 
into an upcurved neck; scroll handle, dragon-head stopper. 
Height, 71, inches. 


166—Two Venetian Guass Liqueur Borris 
By Dr. Salviati. Pear-shaped bodies with long slender 
necks, delicately ribbed with milk-white glass; covers form 
small glasses; one of rich amber glass, one clear glass tinged 
with yellow. _ Heights, 9 and 914 inches. 


First Afternoon 


167—Two VenetTIAN Guass VASES 


By Testolini. One bottle-shaped, of light and dark claret 
color and milk-white glass flecked with silver; enriched with 
enameled and gilded sprays of roses. The other ovoid 
shape, with incurving neck and low, broad foot of clear 
glass enriched with looped ribbon ribbings in gold, body 
hair-lined with milk-white glass; two swan handles on shoul- 


der. (Repaired.) 
Heights, 8 and 9 inches. 


168—Two Srenper Lity-vases or VENETIAN GLass 
One, long trumpet form, supported by gadrooned baluster 
and open scroll stem, low broad foot; pale yellowish-green 
glass. The other, trumpet form, with undulating lip, of 
yellow glass, supported by an iridescent bluish glass dol- 
phin whose tail twists around stem; blue collar, low broad 


foot of yellow. (Both imperfect.) 
= Heights, 131, and 12 inches. 


169—GrEEN aND Gop VENETIAN Guass VASE 
By Dr. Salviati. Bottle-shaped with slender neck, bell 
mouth, short, incurvate stem on low broad foot; decorated 
with alternate vertical stripes of green and gold, enriched 
with six scroll and loose ring handles in clear glass. | 


Height, 7% inches. 


170—VeEneTIAN Grass VasE AND A Dovusie Borrie 
By Dr. Salviati. The vase, slender amphora shape, with 
two high square top strap handles terminating in lion masks; 
slight, twisted ribbed body of brilliant ruby glass. The 
bottle, in the shape of two gadrooned shells which are 
elongated into long entwining necks, supported on short 
baluster stem and broad foot; iridescent glass with hair- 


linings in milky-white. 
Heights, 11 and 9% inches. 


First Afternoon 


171—Venetian Guass Lity-vasE anp a WINE-POT 

The vase, depressed bottle-shape, of white glass enriched 
with rustic branch holding two blue flowers and forming 
handle; ribbed neck and shaped, spreading upturned lip 
in two tones of ruby. The wine-pot, globular, with trefoil 
mouth of pale red glass liberally invested with powdered 
gold, scroll handle at mouth and swinging bail handle held 
by loops on shoulders, of clear glass. 

Heights, 914 and 6%, inches. 


172—Two Rusy VENETIAN Guass VASES 
By Testolini. One bottle-shaped, finely ribbed, on short 
foot. Clear glass enriched with alternate wide ruby lines 
and milk-white hair lines; intricate scroll and sea-horse 
handles flecked with gold. The other globular, with funnel 
neck on small baluster stem and broad foot, beautifully 
enriched with alternating spiral bands of rose outlined with. 
crimson and milk-pink lines. Heights, 8%, and 91/, inches. 


173—Two SLenper VENETIAN GtiAss VAsEs 


By Testolini. Pear-shaped vase with long cylindrical neck 
and splay foot, marbled with ruby and milk-white glass 
flecked with silver. Two-handled vase with long ovoidal 
body, slender neck, and squat foot; invested with a marbling 
of rich blue and cream-white glass flecked with silver. 


Heights, 7144, and 734 inches. 


174—VENETIAN Guiass Dracon CANDLESTICK 
By The Venezia Murano Compagna. Bulbous socket and 
broad spreading base of powdered red-gold glass, en- 
riched with clear glass bobéche; support, a winged red- 
tongued dragon of milk-white glass into which gold is intro- 
duced. Height, 914, inches. 


First Afternoon 


175—VENETIAN Guass TripticaTtE DoupHIn VASE 


By The Venezia Murano Compagna. Three dolphins, with 
open upturned mouths and scrolled tails, are supported 
by a bossed, bulbous, baluster stem and broad bell foot; 
pale clear turquoise-blue, with the fins and gills of clear 


glass powdered with gold. 
Height, 9 inches. 


176—I'wo Ricu Rusy VENETIAN Guass BotrrLE-sHAPED VASES 


By The Venezia Murano Compagna. Pear-shaped with 
long expanding necks, short broad feet, ruby glass bodies, 
deep rose crimson feet. Necks enriched with twisted bands 


of clear glass. 
Heights, 1014 and 10% inches. 


177—Ruvsy VENETIAN Guass VASE 
By The Venezia Murano Compagna. Graceful ovoid body 
on short baluster stem and molded spreading foot; slender 
incurvate neck with waved mouth; ribbed scroll handles of 


clear glass. 
Height, 91/4, inches. 


178—Rvsy VENETIAN Guass AmMPHORA VASE 
By The Venezia Murano Compagna. Long, slender oviform 
body; straight cylindrical neck with bell mouth, on low, 
wide molded foot; ribbed hook handles terminating in shell 


motives. 
Height, 125% inches. 


179—Two VenetTIan Griass BorrLe-sHaPeD VasEs 
By The Venezia Murano Compagna. Pear-shaped bodies ; 
slender, cylindrical expanding necks, short baluster clear 
glass stems, and spreading feet. One of lovely turquoise- 
blue, the other rose crimson deepening into a rich ruby. 


Heights, 914, inches. 


First Afternoon 


180—Two Green VENETIAN Grass VASES | 

By Testolini. One with octagonal bulbous body, spreading 
neck with eight scalloped points, short stem and ribbed foot, 
two scroll handles terminating in shell forms of amber-green 
glass, body and handles studded with clear glass bosses. 
The other, a three-handled bottle-shaped vase on broad foot; 
between handles are three shell-ornamented vertical tubular 
openings for individual flowers. Deep, grass-green glass. 


Heights, 91/, and 8%, inches. 


181—Two Venetian Grass DECANTERS 
By Testolini. One depressed bottle-shape, with slightly 
bulbous neck; one invested with milky-white cloudings on 
clear glass flecked with silver and striped on two sides with 
three plum-colored lines. The other, pale amber with cloud- 
ings of milky-straw colored glass and striped on two sides 


with ruby lines. 
Heights, 8 inches. 


182—Two Pate YELLOW VENETIAN Guass VASES 


By Dr. Salviati. One bottle-shaped, with slender cylindri- 
cal neck on high bell foot; enriched with two intricate 
double-scroll handles of clear glass. The other a spiral- 
ribbed double gourd-shaped vase enhanced at neck with 
two intricate handles of scrolls and sea-horses in clear 


glass. 
Heights, 71, inches. 


183—Two Venetian Grass Ewrrs 
By Dr. Salviati. One with canary-yellow, pear-shaped body, 
slender cylindrical neck and stem, broad low foot, sinuous 
handle of semi-milky glass simulating a sea-serpent, while 
another serpent is coiled around the stem. ‘The other of 
turquoise-blue, with inverted pear-shaped body, slender 
neck, molded scroll strap handle, short stem and broad foot. 


Heights, 1214 and 10 inches. 


First Afternoon 


184—Rusy VENETIAN Guass STANDING COUPE 


By Dr. Salviati. Irregular boat-shaped coupe with sea- 3 
horse head at prow, and scrolled winged sea-horse set on __ 
rim at stern for handle; gadrooned baluster stem with simi- 
lar sea-horse coiled around same, circular low broad foot. 
Coupe and foot striped with alternating ruby and gold 
bands, stem of clear glass, sea-horses of pale amber pow- _ 


dered with gold. . 
Height, 12 inches; length, 10 inches. 
(Illustrated ) 
185—Two VreneTIAN Guass Drinxine VESSELS ~ 4 


By The Venezia Murano Compagna. One a low incurved 
bowl sustaining lion-masks at intervals; short spout; sea- 
horse seated with two paws on rim of bowl forms handle; 
reversed rope scroll support on low broad foot; bas- 
ket pattern of green and clear glass, sea-horse, masks © 
and trimming of pale ruby. The other, bowl and foot of 
clear ruby veined with milk-white glass; sea-horse, masks 


and trimming of pale amber. 
Heights, 9 inches. 


186—VENETIAN Guass Ewer And VASE 


By Testolini. The ewer with slender oviform body, in- 
curving neck with scroll strap handle, broad bell foot of 
pale blue deepening at the extremities and veined with milk- 
white glass. The vase ribbed, pear-shaped, with expanding 
neck, spirally ribbed short stem, broad fluted foot. Rich, 


translucent cobalt-blue glass. 
Heights, 14 and 91% inches. 


187—GREEN VENETIAN Guass BorrLE-sHAPED VASE | 
By Testolini. Depressed bowl, slender spreading neck with 
molded band, high bell foot. Remarkably marbled with 
rose, crimson, milk-white, blue and deep purple on emerald- 


green, powdered with gold. 
Height, 1114 inches. 


First Afternoon 


188—IripEscENT VENETIAN Guass VESSEL 


By Dr. Salviati. Fashioned after an antique bronze. Cir- 
cular, faceted incurving bowl, enriched with two series of 
small oval plaquettes holding winged Cupids’ heads, alter- 
nating with bosses; shaped rope swinging bail handle held 
at the rim with loops. Pale blue glass wandering to a light 
amber. 

Height, 5 inches. 


189—IriIpEscENT PaLE Buvue VENETIAN GLAss STANDING COUPE 


By The Venezia Murano Compagna. Bell-shaped coupe 
with serrated edge, slender gadrooned baluster support en- 
riched with two intricate scroll side handles; low broad foot. - 
(Repaired.) 
Height, 8% inches. 
190—Iripescent Pare Bivurt anp AmBer VENETIAN Glass 
STANDING COUPE 
By The Venezia Murano Compagna. Ribbed bowl-shaped 
coupe supported on a gadrooned baluster interrupted by 
two spirally lined and twisted floral stems terminating in 
‘flames and blossoms; semi-milky blue glass with scrolls 
flecked with gold. | | Height, 101, inches. 


191—BeavutTiruL VENETIAN Guass STANDING COUPE 


By The Venezia Murano Compagna. Incurving pear- 
shaped coupe with two sea-horse handles, supported by six 
unequal sized scroll brackets; fine baluster stem; low broad 
foot. Coupe and foot marbled with milky-pink on glass the 
color of wine lees powdered with gold; sea-horses in pale 
crimson and amber and stem of clear glass. 

Height, 1114 inches. 


192—Ricu Canary-YELLow VENETIAN Giass EwErR 
By Dr. Salviati. Ribbed globular body, slender cuplike 
neck, spirally ribbed low foot, neck banding, and molded 
scroll handle with shell motive terminant in milky-white 
glass. Height, 10 inches. 


First Afternoon 


198—IrIpEscENT VENETIAN GuAss AmPpHORA VASE 


By Testolini. Slender, ribbed club-shaped body with bell 
mouth, hook handles terminating in shell motives, short 
broad foot; pale blue glass wandering to milky-white at the 


extremities. 
Height, 131, inches.. 


194—VENETIAN GLASS SWAN JARDINIERE 


By Dr. Salviati. Swan with upper portion of body open 
and cygnet seated on tail; broad, circular molded foot. 
Heads and wings of swan and cygnet in warm amber and 
gold with beaks in pinkish glass; body and foot striped with 
ruby and warm gold bandings. 

Height, 61/4 inches; length, 9%, inches. 


195—TvrevolsE-BLUE AND AmBER VENETIAN Giass Wine Der- 
CANTER 

By Testolini. Bulbous body with slender neck, holding an 

amber and gold winged sea-horse scrolled with head down 

to form handle. Shoulder enriched with rope molding and 

below a series of bosses, in amber. Body beautifully mottled 


in pale turquoise-blue, crimson and gold. 
Height, 71, inches. 


196—Two SLENDER VENETIAN Guass. VASES 


By The Venezia Murano Compagna. Tapering bodies with 
rounded shoulders and short mouths, low broad feet, two 
square upright loop handles; on the stems are coiled dol- 
phins. One of clear cobalt-blue marbled with milk-white 
glass; the other splashed with crimson, blue, amber and 
green on clear glass. Handles and dolphins on both of 


clear glass powdered with gold. | 
Heights, 1314 and 121 inches. 


First Afternoon 


197—Canary AND GoLp VENETIAN Guass VASE 


By The Venezia Murano Compagna. Inverted pear-shape 
with slender expanding neck, short stem and low broad foot. 
Spirally banded with an alternate series of lines in milk- 
white, canary-yellow and gold. Height, 11%, inches. 


198—IriwEscENT CiLoupED PALE Sxky-BLuE VENETIAN GLASS 
STANDING CouPE 


By The Venezia Murano Compagna. Straight-sided coupe 
supported by four scroll brackets of peacock-blue powdered 
with gold; baluster stem of clear glass with outstanding 
peacock-blue scroll surrounding the central boss; low broad 
foot. = Height, 81% inches. . 
199—AmpBeER VENETIAN Grass VASE 


By The Venezia Murano Compagna. Incurving bell-shaped. 
Top supported by an elaborate stem composed of a slender 
two-handled vase holding foliage and flower terminal; low 
broad foot. Stem powdered with gold. Height, 11 inches. 


200—Pate Tureuoisr-BLuE VENETIAN Grass VasE 

_ By The Venezia Murano Compagna. Incurving bell top of 
alternating radiate bands of turquoise-blue and clear glass, 

5 basket lined with milk-white; intricate stem, a two-handled 

gadrooned vase in clear glass, supports a wreath with pea- 

cock-blue and milk-white spirals with a swan and a forget- 

me-not blossom occupying the center; broad foot. 

Height, 111% inches. 


201—Venetian Guass Piterim’s BorrLe 
By The Venezia Murano Compagna. Beautiful clear cobalt- 
blue glass. Flat, inverted pear-shaped ribbed body, expand- 
ing fluted neck, two scroll handles terminating in shell mo- 
tives, short gadrooned stem, molded low foot. 


Height, 11 inches. 
202—VeEnETIAN Guass Piuerim’s BoTrTLEe 


Similar to preceding, but in fine grass-green glass. 
Height, 11 inches. 


First Afternoon 


203—BriLuiANt BuuE VENETIAN Guass Fruit Bown 


Irregular oval. Low bowl decorated with raised pildeat a 
sprays of fruit, supported by sea-horses and rustic feet. aq , 


Height, 6 inches; Pedi 11 inches. 


204—SEA-GREEN VENETIAN Guass VASE 


By The Venezia Murano Compagna. Funnel-shaped recep- 
tacle and low broad foot in green. Twin spiral stem of clear ee 3 
glass from which spring two green carnations. 


Height, 11 inches. 


205—TIwo BrautiruL VENETIAN Guass VASES 


By The Venezia Murano Compagna. Inverted bell-shaped 
receptacle with wave rim, high bell foot, both enriched on 
clear glass with segments of pink, yellow, blue and green 
simulating mosaic. The elaborate stem represents a combat — 
between the Lion of St. Mark’s in blue-green and a sea-_ 
horse in amber. The other similar but with ruby splash s 
receptacle and base; lion and sea-horse in pale amber and 


gold. 
Height, 114% inches. 


206—Iripescent Pate Biur VENETIAN Guass VASE’ a 
By The Venezia Murano Compagna. Globular bowl in blue  — 
diagonally placed on a clear glass gadroon stem powdered | 
with gold, on broad blue foot. Surmounting the bowl is a 
winged sea-horse in pale amber glass liberally enriched with 
gold. 7 

Height, 13 inches. 


207—BLvrE anp GREEN VENETIAN Guass Stanpine CouPrE 
By The Venezia Murano Compagna. Bowl-shaped coupe 
and broad foot of pale clear blue marbled with milky-blue 


glass; slender stem of green and gold leafage. 


Height, 14%, inches. 


First Afternoon 


208—-Rosr-pink VENETIAN Guass VasE 
By The Venezia Murano Compagna. Inverted bell-shaped 
receptacle and low broad foot in rose pink, the elaborate 
stem composed of curious heart-shaped cartouche formed 
by a series of clear glass spirals in which gold and milky- 


white glass occur. (Repaired.) 
Height, 12%, inches. 


- 209—Canary-vELLow VENETIAN Grass Ewer . 
By Dr. Salviati. Inverted pear-shaped body, incurving 
neck, conventional spout, low broad foot. Milky-white 
glass molded ribbed scroll handle terminating in a shell 


motive. 
Height, 12 inches. 


210—ExasoraTe VENETIAN Guass VASE | 
By The Venezia Murano Compagna. Double bulbous body, 
flaring neck with scalloped edge, short molded foot, and 
two clear glass scroll handles enriched with berry lobes. 
On the body are lion-masks and bosses in clear glass. Clear 
and milky glass splashed with ruby and silver. 


Height, 121% inches. 


211—VENETIAN GLass CoMPOTIER 
By The Venezia Murano Compagna. Curled autumn-leaf 
receptacle splashed with greens and silver on old yellow 
ground; stem, entwined sea-horse and serpent in peacock- 
blue and clear glass powdered with gold. The expanding 


foot matches receptacle. ; 
Height, 11 inches. 


212—Canary-YELLOoW VENETIAN GLAss EprERGNE 


By Dr. Salviati. Lobed bowl and spiral bell-shaped foot in 
yellow; above are two sea-horses in milky glass supporting 
a ribbed baluster stem and lily-vase for flowers. 


Height, 11 inches. 


aks 


See ~~ 


First Afternoon 


213—TIwo Larce VENETIAN Gtuass VASES 


Inverted pear-shaped body, slender neck with waved mouth, 
high flaring foot of ruby glass clouded with milky-white 
and powdered with gold; two vigorous green and gold sea- 
horses form the handles. The other similar in shape, but 
of rich blue splashed with gold to resemble avanturine, and 


with clear glass handles. FIOhEN Ibe tnchés. 


214—IripEsceNT PALE BuuE VENETIAN Guass VASE 


By The Venezia Murano Compagna. Inverted pear-shaped 
body, graceful flaring neck, short stem and broad foot; 
enriched with three scrolled and ribbed handles terminating 
in shell motives; three shell receptacles for individual flow- 
ers interrupt the handles. eight lvincher 


215—LarcEe VENETIAN Gass VASE 
By The Venezia Murano Compagna. Inverted pear-shaped 
body, slender neck with waved mouth and high flaring foot 
of light peacock-blue glass, curiously figured with inserts 
of reds, white, green and gold, simulating mosaic. Two sea- 
horses, powdered with gold, form the handles. 
Height, 15 inches. 


216—WhuirtE anp Rusy VENETIAN Grass VasE 
By The Venezia Murano Compagna. Oviform body, with 
_ incurving neck and trumpet mouth; high bell-shaped foot. 
Clouded and splashed with ruby and milk-white and pow- 
dered with gold; round the shoulder are six lion-masks in 
clear glass. 
Height, 14 inches. 


217—Larce Ruspy VENETIAN Guass EPERGNE 


By The Venezia Murano Compagna. Shallow bowl and 
broad low foot of ruby and white marbled glass; pale amber 
swan handles; the elaborate stem formed of two entwined 


dolphins of amber powdered with gold. 


Height, 13° inches; diameter, 11 inches. 


First Afternoon 


ONY sted enantio lessee Camero Guass VASE 


By Webb. Persian bottle-shape, with enrichments of 
milky-white glass in the Chinese manner; at the lip with a 
band of key fret, at neck and foot, each with two bands, 
one a series of spear-shaped motives, the other ju-i heads. 
The body is most skilfully cut with ostensibly the four 
Chinese flowers of the Seasons among acanthus foliage. 


Height, 1014 inches. 


219—PatEr TurQuolIsE-BLUE Camro Guass VASE 


By Webb. Bottle-shaped, with slender cylindrical neck en- 
riched with a spray of brambles bearing fruit and butter- 


flies in milk-white glass. 
Height, 844 inches. 


First Afternoon 


220—Parz Rusy Cameo Grass Vase 
By Webb. Oviform, with short spreading mouth. Enriched 
with three oval medallions sustaining tulip, pansy and rose 
sprays; background of floral diapers; neck and foot leaf 
molded. All enrichments in cream-white glass. 


Height, 65% inches. 


221—PatE YELLOW Cameo Guass VASE 


By Webb. Bottle-shaped, with enrichment of sprays of 


blossoming wild roses in milk-white glass. 
= Height, 9 inches. 


222—Buur Cameo Guass Bown 
Short incurving neck. Enriched in the Chinese manner at 
the neck with ju-t band, on the body with two coiled three- 


clawed dragons, in milk-white glass. 
=a! Diameter, T/, inches. 


223—Brituiant Rusy VENETIAN Guass VasE 
By The Venezia Murano Compagna. Graceful oviform 
body, low broad molded foot, cylindrical trumpet neck, 
molded mouth; interior lined with white glass. 


Height, 19 inches. 


224—Two Enametep Rupy Bonemran Guass Vases AND CovERs 
Ovoid bodies on short feet, low domed covers with pear- 
shaped terminals; enriched with enameled oval medallions 
of Cupids in rich crimson draperies, playing musical instru- 
ments; background semé with minute gilded stars and en- 


riched with gilded over-trailing vines. 
Height, 1634, inches. 


SECOND AND LAST AFTERNOON’S SALE 


FRIDAY, JANUARY 17, 1919 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.830 O CLOCK 


DECORATIVE PORCELAIN VASES, POTTERY, 
JARDINIERES 


Including Sévres, Solon Pate sur Pate, Royal Berlin, Crown 
Derby, Royal Worcester, and the Famous Dennis 
Vase of Lapis Cameo Glass 


225—JAPANESE SILVER CLOISONNE ENAMEL VASE 


Oviform, with short neck and foot, decorated round the 
base with a group of white storks; charming background 
of pale gray-blue. 

Height, 31% inches. 


226—RarEe Satsuma Bowr 
“A Thousand Flowers and Butterflies.” Muinutely deco- 


rated in delicate natural colors and gilding, with alternating 
spiral bands of innumerable chrysanthemums and butter- 


flies. 
Diameter, 454 inches. 


227—Two BravutTiruLt Satsuma VASES 


Elongated oviform, with short incurving necks. Muinutely 
decorated in colors and gilding, with three transverse bands ; 
on the shoulder a wreath of delicate flowers ; under, innumer- 
able figures illustrating a Court Féte; at foot, mountainous 
landscape with winding river and much shipping; these are 


flanked by narrow geometric bands. 
- Height, 5 inches. 


Second and Last Afternoon 


228—Two Satsuma VasEs 
_ Elongated oviforms, with short incurving necks, spreading 
feet. Minutely decorated in colors and gilding with con- 
tinuous panels of mountainous landscapes and lakes, “The 

Isles of The Blest”; under, delicate growing flowers, panels 
flanked by narrow geometrical bandings. Height, 514, inches. 


229—-Two Berautirut Satsuma VASES 


Slender barrel-shape. Minute decorated in colors and gild- 
ing with three continuous bands, on the shoulders a medley 
of fruit of every conceivable kind, in the centers a winding 
river with shipping among mountain ranges, at the feet 
various growing flowers delicately handled. The panels 
are flanked by exquisite small geometrical bands. (One 


repaired. ) Height, 4°/, inches. 


230—JapranEsE CrLoisonNkt ENAMELED SILVER VASE i 
Oval with small incurvate neck; invested with a translucent 
ruby enamel. Height, 4%, inches. 

231—Frencnu Carvep Ivory STatuEetrrEe 


Cupid standing with arms outstretched and balancing him- 
self ona Seles high cylindrical molded pedestal. 


Total height, 7 inches. — 


232—Two Frencu Enamet Vases IN THE Limocres STYLE 
Oviform, with incurving necks and feet. One decorated in 
delicate colors and gilding on lustrous black ground, with 
a group of “Cupids Fishing”; neck with sprays of roses 
and foot with ivy-leaves and birds. The other decorated 
with two Cupids and bird among flowers. 


Respective heights, 61/, inches and 5 inches. 


233—TureE Botrie-sHarep CuinesE Guass Vass 
Oviform bodies with cylindrical necks. One each of Imperial 
yellow lined with white, rich sang-de-bauf lined with white, 
and brilliant cobalt-blue lined with white. Height, 6%/, inches. 


Second and Last Afternoon 


234—Two Royau Porcrenain Vases 


Oviform, with short incurving necks and short feet. One 
decorated in natural colors and gilding with two cartouche- 
shaped panels in reserve, Cavalier and his Lady, subject, 
“The Toast’; reverse, a bouquet of beautiful flowers, back- 
ground of dark peacock-blue enriched with reserve sprays 
of apple blossoms. The other decorated with gilded floral 
band simulating lace, and sprays of enameled daisies on 
mottled blue and green ground, neck and foot with geo- 
metric motives on peacock blue. 

Height, 7%, inches. 

235—Two Royat PorcELaAIn STATUETTES 


Standing figures of young man and girl attired in Watteau 
costumes, the man playing a violin,’ the girl singing; deco- 
rated in delicate colors and gilding; on small square plinths. 
(Male figure slightly chipped.) 

Height, 61%, inches, 


=236—Two Royat PorcetaIn STATUETTES 


- Similar to preceding. 
Height, 61/, inches. 


237—Two Roya Porcerain Groups 

One, a seated figure of young girl in rich eighteenth century 
costume, her embroidery on her knee and work-basket at her 
side; circular plinth. The other, a standing figure of a 
young girl before whom on one knee is a young man, his 
right arm around the maiden’s waist, his other hand fond- 
ling her dog. The figures are decorated in delicate colors 
and gilding; on rococo scroll bases. (One hand chipped.) 


Respective heights, 642 inches and 74, inches. 


238—Two JapaNEsE PorcELaArin VASES 
Elongated gourd-shape. Delicately decorated in black with 
birds on branches of blossoming prunus trees in moonlight, 
on a translucent white ground of fine texture. 
Height, 814 inches. 


Second and Last Afternoon 


239— JAPANESE CLOISONNE ENAMEL SILVER VASE 


Oviform, with short molded neck. Decorated in natural 
colors on a brilliant lavender ground, with landscape which 
is occupied by a richly robed young woman playing a musi- 
cal instrument; above in the heavens is a similarly robed 
floating figure playing a drum. , | 
Height, 71, inches. 


240—Two RoyvaL Crown Derspy PorcELAIN VASES 


One bottle-shaped, with slender expanding neck, invested 
with a beautiful ruby glaze; decorated in gilded relief with 
sprays of chrysanthemums and berries, the neck with four 
long floral trefoil spear-shaped panels. The other ovi-— 
form, with short neck and foot; the body decorated with 
recurring and varying cartouche-like panels of floral strap- 
work in royal-blue and raised gilding, which hold conven- 
tionalized floral motives on straw-yellow grounds; neck and 
foot enriched with small blue and gold geometric bandings. __ 
Respective, heights, 81/, inches and 61/, inches. — 


241—Royat Worcester Porcertain Low PitcHER 
Squat dome-shaped body, short neck and long spout; in- 
vested with an even yellow glaze; handle formed of a 
crouching winged dragon in two-toned gilding. 
| Height, 7 inches. 


242—Royat WorcesTER PorcEeLaIn VAsE 
_ Squat pear-shaped, with short flaring neck and foot. Mod- 
eled in low relief with leaf motives and gadrooned bands; 
pointed loop handles, enriched with gilding of two tones. 
| Height, 6°, inches. 
243—RoyaL Porcevtain VAsE 


Oviform, with short incurving neck, two high looped scroll 
and leaf handles, four short scroll feet ; decorated with large 
reserved sprays of apple-blossoms in natural colors and 
gilding on dark peacock-blue ground. | 

Height, 8 inches. 


Second and Last Afternoon 


244—Royat Worcester Porcetain BorriE-sHAPED VASE 
Pear-shaped, formed of six lobes with slender expanding 
neck and short foot. Modeled in relief on the alternate 
lobes of body with Oriental floral pointed medallions; the 
neck with long and short spear-shaped leaves, flutings and 
reeds; the ornamentation simulates bronze parcel-gilt on 
a matte ivory glaze. Height, 11 inches. 


From the Mary J. Morgan Collection, No. 8389. 


245—RoyaLt Worcester Porceiain Piercep Borrie-sHAPED 
: VASE 

Globular, with slender, molded incurving neck and short 

spreading foot. Elaborately and minutely reticulated, the 

body with circular geometric medallion, upper and lower 

bands in ivory with rich gilding, the field honeycomb pattern 

in pale blue and gilding, upper and lower bands of neck 

and foot with leaf-scrolls in ivory and gold; on the shoulder 

are two scrolled masks in soft pink. 

Height, 9 inches. 


From the Mary J. Morgan Collection, Catalogue No. 825 


246—Royvat Worcester PorcEeLAIN JARDINIERE 

Formed of three vertical lobes, each reticulated and mod- 
eled with birds, flowers and rockwork in the Japanese man- 
ner, decorated in natural colors and two-toned gilding with 
portions simulating bronze on matte ivory ground; banded 
at top and foot with lattice and ju-t heads and supported 
at the three indentations with scrolled bracket feet. 

Height, 634 inches. 


24°77—Royat Worcester PorceLain BortLEe-sHaPpeD VASE 
Bulbous body with long slightly expanding neck, spreading 
foot, and two loop handles at shoulder; enriched with spear- 
shaped arabesque panels in the pseudo-Persian manner simu- 
lating silver and gold inlay on matte ivory ground. 
Height, 111% inches. 


Second and Last Afternoon — 


248—ReMARKABLY Fine OrtentaL CrystaLt Gazine Bau 
Clear crystal sphere, mounted on silver scroll and leaf stand. 


Total height, 6 inches; diameter of crystal, 314 inches. — a 


249—ELABORATELY INLAID AND ENAMELED JAPANESE SILVER 
VASE 
Ovoid body, incurvate four-lobed neck, spreading ju-i foot. 
On the shoulders are two weird dragons forming the han- 
dles ; two heart-shaped panels adorn the gilded body and are 
occupied by domestic landscapes and on the reverse by fig- 
ures symbolic of “The Feast of Dragons,” minutely en-— 
crusted with jade, mother-of-pearl, coral, carnelian and 
ivory. Neck and foot enameled with chrysanthemum scroll — 
panels. Signed under foot. Height, 81, inches. — 


250—Burack PorceLaix BotTLE IN THE JAPANESE STYLE 
Pear-shaped, with incurvate neck; rich crimson black glaze __ 
enriched with lacquer “three-clawed dragon and cloud ~— 
forms” executed in two-colored golds, oxidized silver, red, — 
and powdered with minute particles of mother-of-pearl on — 
cloud form. Height, 9 inches. 


251—SLeNDER SEvres PorcELAIN VASE i 
Graceful pear-shaped body, trumpet neck and foot; dense x 
lustrous white paste enriched on the body with a continuous. - 
series of Cupids sporting with a long garland of roses. The 
neck and foot sustain turquoise-blue leafage and gilded 
bands. | Height, 14 inches. 


252—GracEFuL DrespEN PorcELAIN STATUETTE 
Standing figure of a young girl playing with her cat, at- 
tired in eighteenth century morning dress, wearing gilded 
cream brocade robe, cap and petticoat liberally enriched 
with filmy lace; on circular molded plinth. Under glass 
dome on black circular stand. (Lace slightly imperfect.) 
. Height, 9 inches. 
From the Mary J. Morgan Collection, Catalogue No. 872. 


Second and Last Afternoon 


253—CuInEsE Carvep Ivory Set or CHESSMEN AND LACQUER 
Foupinc Curss Boarp anp Two Dict Boxes 


Elaborately carved figures; three are representatives of the 
“Pa-Hsien or Eight Taoist Immortals”; with rich robes and 
trappings, all on molded, carved, paneled lozenge-shaped 
bases. The opponent set is stained a brilliant red. The 
King is represented as “Shou-lao, the God of Longevity,” 
with his ju-2 sceptre; the Queen is represented as “Lan T's’ai 
Ho,” with her basket of flowers; the Knight is represented 
as “Chung-Li-Ch’uan,” with his chowry brush; the Rook 
as a mounted warrior, the Castle as a caparisoned elephant 
carrying a tower, and the Pawns as kilted foot-soldiers. 
Includes two molded circular dice boxes and a folding box 
with indented corners, lacquered rim and panels exhibiting 
domestic scenes. On the top the black squares are enriched 
with crouching figures in gilding. (One red pawn missing.) 


254—Larce Crrcunar PorcretaIn PLAQvuE IN THE Royat VIENNA 
STYLE 


The matte ivory center is occupied by sprays of growing 
flowers in natural colors, white lilies, wild roses and berries. 
Dip and rim enriched with gilded bands; flange, rich crim- 
son. 

Diameter, 2114, inches. 


255—-Royat Vienna Circutar PorceLain PLaave 

Oval medallion occupied by figure, subject “Aurora,” 
painted by “R. P.” after Guido Reni; very rich and inter- 
esting raised gilded border widening at top and bottom, 

~ enriched with dolphins, flowers and fine acanthus scrolls on 
deep crimson ground, flanked by narrow pearl and cream- 
colored gilded floral bands and interrupted by four oval 
symbolic medallions, variously holding roosters and other 
designs. In frame covered with deep claret velours. 


Diameter, 20 inches. 


From the Mary J. Morgan Collection, Catalogue No. 1086. 


Second and Last Afternoon 


256—Carvep Ivory Tusk IN THE CHINESE STYLE 


Curved truncated form; marvelously undercut, leaving most 
of the delicate foliage and flowers free from the background; 
enriched with growing sprays of roses, chrysanthemums, ~ 
lilies, daisies and peonies, bead and leaf band at rim, leaf 
scroll at foot. On carved and pierced wood stand. 


Height, 9 inches. 


257—Royva.L PorcELAIn VASE AND CovER 


Oviform, with short incurvate neck, dome cover terminated 
with pinnacle, two upright scroll and leaf loop handles, sup- 
ported on four short leaf and scroll feet. Decorated with 
two oval medallions with richly gilded borders and connect- 
ing arabesques on deep ivory backgrounds; obverse, Ideal 
Head of a Young Girl in pate sur pate with warm gray 
ground. Reverse medallion, bouquet of flowers in natural 
colors. Handles, feet, borders and cover in white glaze and © 
gilding. : 

Height, 12 inches. 


258—RoyaL PorcenLain PATE sur PATE VASE 


Oviform, with tall incurving neck and short spreading foot. 

Decorated with two oval reserve medallions with delightful _ 

gilded scroll borders and connecting arabesques on deep — 
ivory backgrounds. Obverse medallion occupied by lightly 

draped seated nude figure of young girl in pate sur pate 

on warm gray ground; reverse medallion of azaleas in full 

colors. Neck and foot in white glaze gilded. 


_ Height, 121% inches. 


259—PAtTe sur Pare Drespen Porcerain Tray 
Deep, molded four-lobed oval rim; enriched in center with 
pate sur pate group, “Cupids Bearing Tribute to Venus,” 
and arabesque border of pale blue foliage on deep plum- 
colored ground with gilding and bands of silver. 


Length, 14144 inches; width, 11 inches. | 


Second and Last Afternoon 


260—DecoratTED Douttron Fatence BotrruE-sHAPED VASE 


Globular with cylindrical neck. Deep cream body enriched 
in delicate relief with a simulation of floral lace over which 
is a spray of chrysanthemums in rich colors and gilding; 
neck mottled with gilding and rich tobacco color. 


Height, 101% inches. 


261—DercoratEpD Dovuttron Fatence PIrcHer 


Globular body, with slightly expanding neck, small spout, 
scroll loop handle, short molded foot. Ivory body decorated 
with sprays of iris in colors and gilding; foot, handle and 
neck of dark tobacco color, the latter penciled with minute 


leaf scrolls and flowers in gilding. 
Height, 9°4, inches. 


262—CuinersE CeLapon Porceiain Bow. 


Curving sides with serrated rim, on short foot; the interior 
modeled with many low relief petals forming a large peony 
blossom; invested with a pale sea-green glaze. (Cracked.) 


_ On carved and pierced wood stand. 
Diameter, 9 inches. 


263—Crown Dersy PorcenaIn Vase IN THE MoorisH STYLE 


Inverted pear-shaped body, molded cylindrical neck, two 
pierced wing-like handles. The body decorated with ara- 
besques of strapwork and floral scrolls in dull red, blue and 
gilding; at the foot a series of arched scroll panels lightly 


modeled and gilded. 
Height, 1314 inches. 


264—Crown Dersy Porcerain Vase 
Double gourd-shape, with scroll pierced flat and curved 
wing handles set on the shoulder. Allover decoration of 
varied ruby and gold floral arabesques on a pale yellow 


ground. 
Height, 1234 inches. 


Second and Last Afternoon 


2965—ELABORATE Royat Worcester PorcELAIN Ewer IN THE 
RENAISSANCE STYLE 


Flattened globular body, with long molded incurving neck, 

mask spout, molded and gadrooned foot, deeply scrolled 

handle sustaining a half female figure terminating in drap- 

ery. Ivory body with all-over pattern of floral scrolls and 

four masks enriched with scroll and strap bandings in silver 
_and gold simulating metal mountings. 


Height, 16 inches. — 


266—Royvart Worcester PorcELAIN Wine Ewer AND CoveER 
Persian shape, with long spout held with band at neck; 


matte ivory glaze enriched with gilding. The body, cover | 


and cup lip decorated with reticulated floral arabesque — 


medallions in turquoise-blue and crimson enamels and gild- 
ing. 


Height, 17% inches. 


267—Two RoyvaL WorcrEstTER PoRCELAIN VASES 


Tall oviform, with short incurvate necks; gilded, fluted and — 
molded bases with scrolled feet. Ivory eggshell glaze, en- 


riched on both sides with sprays of growing poppies modeled | 


in full relief and decorated with two tones of gilding. 
Height, 141, inches. 


268—RoyvaL Worcester PorceELAIn BotrLE-SHAPED VASE 


Pear-shaped, with slender molded neck and short foot. Ivory 
eggshell glaze enriched in full relief with skilfully modeled 
growing hyacinths, wild roses and daisies in natural colors 


and gilded leaves. (Flowers chipped.) : 
Height, 1434 inches. 


269—Two PorcELAIN STATUETTES IN THE DRESDEN STYLE 


Standing figures of Cinderella and the Prince, attired in 
elaborate eighteenth century Watteau costumes; decorated 
in colors and gilding. 

Height, 1434 inches. 


Second and Last Afternoon 


270—CuINESE ENAMELED PorcEeLain VASE 
Bottle-shaped, reticulated with cloud forms over which are 
modeled in low relief several five-clawed dragons in light 
and dark aubergine and green on pale yellow glaze. 
Height, 1234 inches. 


271—JaPpANESE CLOISONNE ENAMEL VASE 
Club-shaped. Among growing autumn-tinted maple leaves 
are several white birds; greenish-gray background. 
Height, 1414 inches. 


272—Two JAPANESE CLOISONNE ENAMEL VASES 


Club-shaped; decorated with growing plants from which 
the flowers have fallen and thistle-down has taken their 
place; sky-blue ground lightening toward the foot. (One 
neck faulty.) Height, 141, inches. 


273—Two JAPANESE CLOISONNE ENAMEL VasEs 
Quadrilateral with rounded shoulders and incurving necks 
and feet. Decorated with branches of growing white cherry 
trees in blossom; pale blue-gray grounds. Height, 141, inches. 


274—RoyvaL WorcrstER PorRcELAIN JAR 


Ovoid, with outcurving mouth. Mouth and shoulder en- 
riched with gilded drapery tied with cord and tassels; 
round the body are sprays of brambles in fruit and flower, 
of natural colors and gilding on a matte ivory ground. 
Height, 12 inches. 


275—RoyvaL WorcESTER PorcELAIN JAR AND COVER 


Ovoid, with broad molded neck and dome cover terminated 
“with floral finial. Cover and body enriched with spiral 
gadroons alternating with panels reticulated with flowers 
and scrolls; neck, foot and shoulder with geometric reticu- 
lations. Old-ivory matte glaze enriched with gilding. (Cover 
repaired. ) 

Height, 15 inches. 


Second and Last Afternoon 


276—Crown Dersy Porcetain Jar and COVER 
Ovoid body, short straight fluted cylindrical neck, reticu- 
lated dome cover with ball terminal. Decorated with grow- 

ing bamboo and tropical foliage in brown and two colors 

of gilding on clear yellow ground. (Cover has kiln cracks.) 
Height, 151%, inches. 


277—RoyvaL Crown Derspy PorcELAIn VASE AND COVER 


Low flattened globular body with short cylindrical neck, 
dome cover with reticulated pinnacle, outcurving foot and 
two double reticulated floral scroll handles in white and 
gilding; body decorated in the pseudo-Persian style with 
gilded floral arabesques and all-over floral sprays in crimson 


and blue on clear yellow ground. Height, 114, inches. — 


278—RoyaL Crown Derspy Porcenain VasE AND COVER 


Globular, with short incurvate neck, dome cover with floral | 


terminal, short molded foot, and handles and lip of acan- — 


thus-leaf scrolls heavily gilded; richly decorated with 


scrolled cartouche, jardiniére, garlands of flowers and rib- a 


bons, tinted in soft colors and gilding on deep peacock-blue 
ground. Height, 141, inches. 
279—RoyaL PorceLaIn JAR AND COVER 


Oviform, with short cylindrical neck and foot; dome cover 
with pineapple terminal; decorated in blue-black on a clear- 
white glaze with rococo fountain holding two Cupids and 
two classic female figures, ‘““Abundance and Justice”; neck 
and foot with shells, scrolls and rope band in pale red and 
gilding on deep brown. “Generally known as Seger Por- 
celain.” Height, 1514 inches. 


280—Two JapANESE CLOISONNE ENnameEL VasEs 
Elongated ovoid, with short necks. Decorated with growing 
chrysanthemums in blossom and birds, in brilliant colors on 
resonant black ground; conventional bandings at feet and 


necks; small Dog Foo handles of bronze. —_ Height, 14 inches. _ 


} 


Second and Last Afternoon 


281—-Two JAPANESE CLOISONNE ENAMEL VASES 


Depressed pear-shape, with incurving necks. Decorated 
with growing plants holding yellow, white and blue flowers ; 
pearl-gray backgrounds. Height, 15 inches. 


282—Tatut JAPANESE CLOISONNE ENAMEL VASE 


Depressed oviform, with incurvate neck; decorated with 
coiled dragons in brilliant enamels on black ground. 


Height, 1814, inches. 


283—Two Roya, WorcrstER PorceLAIN VASES 


Flattened club-shape, on double molded bases with open 
floral scroll feet. On the bodies are pond-lilies naturalistic- 
ally modeled and tinted pink, the leaves gilded; necks and 
feet enriched with gilded geometric bands. Ivory eggshell 
glaze. Height, 16 inches. 


284—Larce Royat Porcerarn Wine Ewer 1n THE ITALIAN 
RENAISSANCE STYLE 
Pear-shaped body with molded neck, gadrooned dome cover 
with ball terminal, long curved spout with winged mask 
at base and terminating in dolphin head, molded foot sup- 
porting four leaf and mask brackets, and double scroll 
handle. In front of body is a raised cartouche sustaining 
the armorial bearings of the House of Hapsburg; both 
sides of body decorated with mask cartouche supported by 
two Cupids. Neck in blue, Cupid heads and fruit garland 
in full colors and gilding. “Generally known as Seger 
Porcelain.” Height, 17 inches. 


285—RoyaL PorceLaIn JARDINIERE IN THE Lovis XV STYLE 
Irregular oval bowl, enriched with rococo scroll handles and 
feet in pink, white and gilding. Both sides sustain scrolled 
panels of groups painted in the pastoral manner of Wat- 
teau, flanked by reserve floral panels; grounds of deep ivory. 


Height, 10 inches; length, 19 inches. 


Second and Last Afternoon 


286—Two Royat Minton Soton PATE sur PATE VAsEs 


Ovoid, with steeped feet, incurvate necks, molded mouths and 
molded loop strap handles; bodies decorated in white pate 
sur pate on a wide band of dark peacock-blue with subjects, 

“The Goddesses Attiring Cupids,” who are posed on a ~ 
series of altars and represent Mars, Hercules, Music, Paint- = 
ing and Comedy. The other similar, with subject, ‘“Love’s 
Sacrifice.” (One inside lip chipped.) 


Height, 1534 inches. 


From the Mary J. Morgan Collection, Catalogue No. 891. 


Second and Last Afternoon 


ee te os a 


287—TIwo Royat Minton Soton PATE sur PATE Vases 


Etruscan forms, with two tall curved handles on shoulders. 
Bodies decorated in white pdte sur pdte on deep olive 
ground. Minerva stands before her temple and holds two 
large oval shields with which she protects herself from at- 
tacks on both sides by groups of Cupids carrying batter- 
ing-rams ; reverse, an altar of victory. The others, Minerva, 
before a temple, winds a wheel with groups of Cupids on 
either side winding and unwinding. Necks and feet en- 
riched with arabesques in colored enamels and gilding on 
dull olive-yellow grounds. Signed: “L. Solon.” 


Height, 19 inches. 


From the Mary J. Morgan Collection, Catalogue No. 896. 


Second and Last Afternoon 


288—Tue Famous Dennis VasE anp Cover 
Oviform, with balustered stem and spreading foot, dome 
cover with terminal of the winged horse Pegasus in full 
relief, handles winged arched horses’ heads. Body enriched 
with figure subjects cut in the milky-white glass, and in- 
cused in the lapis glass body, “The Triumph of Venus” and 
“Venus Rising from the Sea.” Cover, lower portion of 
body, baluster and foot enriched with laurel, acanthus and 
water-leaf bands, foot with imbrications of feathers. Re- 
volving body. On molded crimson velours base. 


Height, 21 inches. 


This vase is reputed to be the finest and most important example 
of cameo glass in existence. It was made at the Dennis Works of 
Thomas Webb and Son, Stourbridge, England, by George Woodall, 
the noted cutter, under the superintendence of Wilkes Webb, one of 
the greatest men in the glass industry. It was first exhibited at the | 
Exposition Universelle, Paris, 1878, was complete in 1882 and sent =| 
direct to Tiffany and Company, from whom the late Mrs. M. J. Morgan 
procured it. 


From the Mary J. Morgan Collection, Catalogue No. 980 
(Illustrated ) 


289—Soton PAtEe sur PAtrre Mintons Faience VASE AND Cover 


Amphora shape; two gilded floral wreaths tied with bow- 
knots are on the shoulder and form the handles. Decorated 
alternately with oblong and square panels of pate sur pdate. 
Obverse with charming group of sleeping Cupids in white 
on royal-blue ground; reverse contains a circular medallion 
“Bust of Roman Emperor” with green background sur- 
rounded by floral arabesque on blue; square side panels 
with figure and floral arabesques on green. Dark peacock- 
blue ground enriched ‘with growing ivy and laurel-leaf 
bands. The -cover and foot recur to the royal-blue with 


gilded enrichments. 
Height, 1514, inches. 


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No. 288—THE FAMOUS DENNIS VASE AND COVER 


Second and Last Afternoon 


290—Royat PorceLain Group 5 
“Mars and Venus.” The lightly draped nude figure of | 
Athena stands on a square block simulating marble which 
is covered with a skin; Hercules, in armor, is seated and 
supports Athena with his right arm. Round base, decorated 
with laurel. Loose circular pedestal, molded and enriched 
with festoons of drapery in colors and gilding. 


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Total height, 23 inches. 


291—Royat Porcevain INKSTAND IN THE Louis XV STYLE 


Irregular oval tray, with rococo scrolling in white, pink 
and gilding which define the four compartments and han- 
dles; on the left is a Cupid holding a receptacle for sand 
and spoon for same, on right is loose covered encrier, in 
the center is a pedestal painted with seascape surmounted 
by a loose group representing “Painting,” a lightly draped 
nude standing female figure holding a painted scroll and 
her palette in her left hand; at her feet is a seated Cupid. 


Total height, 1714, inches; width, 18 inches. 


292—Royat Worcester Porcrexarin VasE bo 
Gourd-shaped, enriched in full relief with a finely gilded 
dragon with emerald eyes and red jaws, which coils over 
the body almost to mouth; ivory matte glaze. 


Height, 18 inches. 


293—-T wo BonHEmIAN GuaAss VASES 


Ovoid bodies, with cylindrical molded necks, molded feet, 
strap and scroll handles and double black and gold square 
plinths. Decorated with shaped medallions painted in 
colors with subjects, “Girls Fishing” and ‘Girls and Geese” ; 
deep sky-blue grounds, enriched with white and gold enam- 
eled scrollings. | a 
Height, 19 inches. . 


{ 


Second and Last Afternoon 


294—RoyaLt Worcester Porcevtain Frowrer Bown 


Ovoidal bowl, with linen-fold flaring mouth and similar 
spreading foot, both in pale salmon-pink glaze enriched 
with gilded floral scrolls. Body of matte ivory glaze en- 
riched with a landscape, “Deer in the Scotch Highlands” ; 
obverse, a group of hunting dogs. 


Height, 121%, inches; diameter, 11 inches. 


295—Royat PorceLtaAIn Ewer 


Ovoid body, molded base on scroll feet, incurving neck with 
deeply scrolled mouth and handle. Bleu-de-roi glaze, finely 
jeweled and enriched with arabesques in gilding and enamels. 
Body with reserve medallion painted in soft colors with 
group, “‘Love and Cupids.” Height, 201/, inches. 


296—Royat PorceLaIn VASE 


Ovoid body, incurving molded foot and neck, supported on 
octagonal plinth; two parcel gilt coiled snakes terminating 
in green vine-leavyes, form the handles. Bleu-de-roi glaze, 


jeweled and enriched with arabesque scrolls in gilding and 


enamels; reserved circular medallion painted with “Ideal 
Head.” Height, 181/, inches. 


297—Two Royat Porcexain VASES IN THE Louis XV STYLE 


Quadrilateral trumpet-shapes defined at corners, rims and 
flaring feet, with rococo scrollings in pink and gilding; 
panels skilfully decorated with flowers, tulips, roses, asters 
and convolvulus tied with blue ribbon on deep crimson 
ground; at the feet, bird in relief and an ideal bust; sides 
painted with Cupids. Height, 19 inches. 


298—RoyvaL PorceLAIn Ftowrer Bown 


Bowl with incurving molded neck and foot, supported on 
square plinth; dark peacock-blue glaze enriched with purple 


and white grapes and vine-leaves in colors and gilding. 


Height, 1114 inches; diameter, 12 inches. 


Second and Last Afternoon 


299—CrotsonnE EnamMeL Bowt anp Cover, JAPANESE STYLE 


Low, incurvate bowl and dome cover. Chocolate ground | 
enriched with chrysanthemum blossoms and recurrent me-— 
dallions supporting birds, insects and lotus flowers in colors. 
Cover similarly decorated. 

Height, 13 inches; diameter, 1614 inches. 


3800—TatL CLoisonNE EnamreL VASE IN THE JAPANESE STYLE — 


Elliptical body, long incurvate neck, bell foot. Growing 
peonies, lilies, wistaria and birds in brilliant colors enhance 
the sky-blue ground; scrolled and molded old brass mounting 


at base. — 
Height, 261, inches. 


301—Tvrevolisrk BorrLE-sHAPED VASE IN THE CHINESE STYLE 


Ovoidal body, wide cylindrical neck; invested with a lumi-— 
nous fish-roe crackle glaze deepening toward the foot. (Zinc 


lining for flowers. ) 
Height, 17144 inches. 


302—LarcrE Rookwoop Porrery VASE 


Oviform, with wide incurving neck. Decorated from the 
shoulder with beautiful branches of autumn foliage and eg 
seed pods among which appear three green dragons; coated 


with a rich orange-brown glaze. 
Height, 221, inches. 


3038—SeEvreEs PorcELAIN VASE AND COVER 


Graceful ovoidal body, with flat molded shoulder, incurving 
neck with molded mouth, flaring molded trumpet foot and 
dome cover with ball terminal. Delicate pale yellow glaze 
enriched with gilding, gadroons at neck and mouth, dolphin 
band at shoulder, acanthus-leaf base. On the shoulder, 
modeled in full relief, are four cornucopie. The handles 
are formed of half female figures terminating in festoons of 
drapery. (Cover faulty.) 

Height, 35 inches. 


Second and Last Afternoon 


304—Two Zsotnay FaleEnce VASEs 


Oviform bodies of ivory eggshell glaze, decorated in the 
Persian manner with brilliant enameled birds and flowers 
enriched with gilding; spreading necks and feet, with lotus. 
blossoms on iridescent pink grounds. Mounted in wrought 
iron; the handles, cartouches with lion masks and rings, and 
similar bases with claw feet. (Foot of one vase repaired.) 
Total height, 32 inches. 
305—Larce Cuines—e Biue anp Wuire Porcenain Vase 


Bottle-shape, with long cylindrical neck. Bowl and shoul- 
der decorated with blossoming peonies, fir-trees and bamboo 
growing on the banks of a rocky stream; neck and foot 
painted with reserve flowers, scrolls and animals on dark 
cobalt-blue ground. Height, 43 inches. 


306—Two Porcerain VasEs IN THE RoyaL VIENNESE STYLE 
Ovoid bodies of turquoise-blue semé with gilded fleurs-de-lis, 
enriched with scroll and gilded medallions painted with ideal 
heads in medieval costume; reverse with still life subjects. 
Necks and bases of onyx, enriched with gilded bronze scroll 
band mountings, dragon handles and feet. 
Height, 30 inches. 
307—Larcr Decorated Sivres VAsE 
Ovoid, with deep incurving neck and foot. Rich ivory glaze, 
enriched in colors with continuous landscape; in the fore- 
ground is a lake on which grow yellow pond-llies among 
_ which many dragon-flies alight; neck and foot with rich 
bandings of flowers; mounted on square gilded bronze plinth. 
Height, 301, inches. 


308—Larcr Dovutton Faience Vase 
Graceful egg-shaped body enriched with large sprays of 
blue lilies on a gold-clouded white ground; slender molded 
neck and foot enriched with myriads of minute blue flowers 
on gilded ground. Trumpet mouth clouded with gold. 
Height, 32 inches. 


Second and Last Afternoon 


309—Larce Decoratep Skvres Porcetain VAsE 


Ovoid body, incurving neck and foot; richly decorated, in 
red-brown on pale straw-yellow glaze, at the shoulder with ; 
valanced medallions holding figures of the various Greek 4 
Muses, Calliope, Euterpe, Erato and others, inscribed with a 
their names in Greek; below are garlanded masks and in- 4 


numerable flying and gamboling Cupids forming a band. _ a 
Signed: Fornent, 1885. Mounted on square gilded bronze q 
base. a 


Height, 28 inches. 


Second and Last Afternoon 


310—Royat Minton Porcetain Soton PATE sur PATE Vase 


Heavy ovoid body, deep incurvate neck with spreading 
molded lip, bell-shaped molded foot, leaf and scroll handles 
each terminating in two heads of Medusa molded on the 
body in low relief. Body of rich olive-green enhanced with 
white pate sur pate figure subjects, “Cupid’s Judgment” ; 
reverse, groups of Cupids in martial array. Neck enriched 
with four oval Cupid medallions, leaf and scroll borders and 
arabesques in rich soft colors and gold. (One handle re- 
paired.) Signed: L. Solon. Height, 25 inches. 


A most remarkable ceramic specimen of the nineteenth century, and 
probably Solon’s masterpiece. 


From the Mary J. Morgan Collection, Catalogue No. 908. 


Second and Last Afternoon 


311—Larcre Royat PorceLain Vase 7 
Made in four sections. Egg-shaped body, decorated in 
soft colors with two medallions garlanded with flowers and 
held by scrolled cartouches containing landscapes with 
Roman ruins (after Panini), on gray-blue backgrounds; 
separate molded foot; neck and octagonal plinth decorated 
with brown wreaths and bands on gray ground. | 

| Height, 35 inches. 


312—MacniFIcENT SkvrEs PorcELAIN VASE wITH COVER 


Pate tendre; tall, graceful ovoid shape, with spreading neck 
and foot, decorated on the body in delicate colors with fig-— 
ures. and flowers, “Midsummer Night’s Dream,” Titania 
among a group of Cupids, growing flowers and hanging 
convolvuli vines in which flit butterflies and insects. Signed: 
“d’Apoil, M. de Sévres.”” Gadrooned cover, neck and foot 
enriched with fleurs-de-lis alternating with wreaths and — 
garlands. Revolving body, mounted in gilded bronze with _ 
terminal of leaves and berries; lip, shoulder and foot with — 
laurel and other leaf moldings; square valanced base with 
fluted and pinnacle supports holding a blue enameled insert: 
sustaining birds and floral wreaths in gold and silver. 
Carved ebonized pedestal and fluted base enriched with gilded — ¥ 
egg-and-dart molding, festoons and garlands of laurel 


leaves. 
Vase: Height, 4 feet. 3 inches. Pedestal: Height, 3 feet. 


From the Mary J. Morgan Collection, Catalogue Nos. 867 and 868. 


313—HanpsomE Roya PorcELAIN JARDINIERE AND PEDESTAL 


Oviform, with upright molded collar, short dome foot, and ~ 
scroll and leaf handles. Decorated in soft rich colors with 
‘“Bacchanalian Cupid and Lamb” after Peter Paul Rubens; 
reverse, with Cupid, Pan and his sheep, in a mountainous 
landscape; collar and foot with mask scrolls and leaf mold- 
ings. Circular carved and ebonized revolving pedestal. 
Height, 2014 inches; diameter, 2114 inches. 


11 


Second and Last Afternoon 


314—Larcer Royat PorceLarn VAsE 

Ovoid body, molded incurvate neck and foot, leaf-molded oc- 
tagonal plinth and elaborate acanthus-leaf scroll and mask 
handles. The ivory ground enriched with gilding and two 
oval medallions set in strap and floral arabesques, painted 
in colors with two Cupids playing; reverse, woodland scene 
with stork. Revolving body. 

Height, 2814, inches. 


315—BeEavuTIFUL SEvRES PoRCELAIN STANDING JARDINIERE IN 
THE Marik ANTOINETTE STYLE 


Egg-shaped bowl, with deep incurvate neck and tapering 
pendant. Fine varied glaze of bleu-de-rot. Rich tripod 
mounting of gilded bronze, lips with leaf molding, body 
with Salambier open scroll and flower banding, mask and 
husk supports scrolled into and holding the pendant and 
terminating in guilloche molded stems and acanthus scrolls. 
Molded onyx base with stump feet and center rosette. 


Height, 3 feet 11 inches. 


(Illustrated ) 


316—Larcre Minton FarteEncE JARDINIERE AND PEDESTAL 


Circular jardiniére with molded neck and ju-t and ball feet ; 
decorated in the Chinese manner with all-over lotus scrolls 
in blue and white on Imperial-yellow ground, bandings at 
lip, shoulder and foot of deep blue enriched with prunus 
blossoms, animal head and ring handles in deep blue. Pedes- 
tal molded top deeply aproned with alternate open scroll 
and lotus lobes. Three elephant head and trunk supports; 
open medallion stretcher decorated to match jardiniére. 
(Pedestal repaired. ) 

Total height, 3 feet 10 inches; diameter, 1 foot 7 inches. 


No. 31I5—BEAUTIFUL SEVRES PORCELAIN STANDING JARDI- 
NIERE IN THE MARIE ANTOINETTE STYLE 


Second and Last Afternoon 


| 817—Larce Royat Porcetain Ciock SET In THE Lovis XV 
STYLE 

Clock decorated in delicate colors; a male and female figure 
in full relief support a rococo canopy which is surmounted 
by the bust of a young girl; on the scrolled base are two 
sportive Cupids; the intricate porcelain dial sustains gilded 
flowers on royal-blue with a finely reticulated ivory center. 
Two candelabra match; male and female caryatids, “Flora” 
and “Satire,” are supported on Cupid and scroll bases; 
each has nine gilded bronze acanthus scroll arms holding 
porcelain bobéche and sockets. (Feet of clock repaired.) 

Respective heights, 3 feet 114 inches and 3 feet. 


BRONZE GROUPS AND FIGURES 


Including Facsimile of the William Cullen Bryant 
Commemorative Vase 


318—Two Bronze Groves 
Bird and mate standing on rocky ground, one with butterfly 
and one with snake; molded oval bases. Green and brown 
patina. Signed: “F. Pautrot, Paris, 1868.” 
Height, 934 inches; length, 9 inches. 


319—Two Gitpep Bronze anp Enamet Frower VAsEs 
‘Reclining Cupid holds a cornucopia of blue and gray cloi- 
sonné enamel which supports an etched floral trumpet-vase 


of cut-crystal glass; on oval onyx mounted plinths. 
Height, 1414, inches. 


320—GiLpED BronzE anp ENAMEL Cuiock SET 


Clock, glazed rectangular case with mask and scroll domed 
canopy surmounted by a gallery and shaped plinth with vase 
terminal, both mounted with bronze and enameled with 
fleurs-de-lis in pink, blue and yellow; supported on acanthus- 
leaf and claw feet which are bracketed and hold a Cupid; 
back and dial enameled with floral arabesques. Strikes the 
hours and quarters. By Bigelow, Kennard and Company. 
Two side vases match. 

Respective heights, 26 inches and 1814, inches. 


Aes renirgotet | eee sontah SaaS 


Second and Last Afternoon 


321—GiLpED Bronze VasE IN THE Persian STYLE 
Open globular body, formed of numerous circular pierced 
and inscribed plaquettes, molded open lattice neck, three 
dolphin supports with scroll drop. Lined with ruby glass 
bowl. Height, 20 inches. 


322—GiLpED Bronze Bust | 
Signed: Z. Rimbez. A young Neapolitan girl, attired in 
striped kerchief headdress, long curly hair falling over 
shoulders, embroidered bodice and coin necklace and ear- 
rings; molded foot. Parts of red-brown bronze. Ebonized 
base with bronze feet. Height, 27 inches. 


323—Oxp Brass Crock Ser in THE Renaissance STYLE 

Rectangular double-domed case, surmounted by four pin- 
nacles and vase terminal, supported on mask and scroll 
feet; garlanded apron, holding two Cupid heads and car- 
touche; yellow porcelain dial, intricate regulator movement 
with patent collapsible keys. By Shreve, Crump and Son. 
Two candelabra match, for eight lights each. 

Respective heights, 2 feet 61, inches and 2 feet 8 inches. 


324—GILDED Bronze Ficure 
By August Moreau. A joyous advancing Cupid throws a 
kiss with both hands; molded circular foot. Yellowish- 
brown patina, parcel-gilt. evolves on fluted and molded 
base of rosso antico marble. 
Total height, 2 feet 8 inches. 
325—BronzeE Bust 
By Faure de Broussé, 1876. Marie de Medici wearing a 
small crown and high braided hair, lace ruffled vest and em- 
broidered and jeweled bodice; yellowish-brown patina on 
gilded molded square base. Revolves on shaped black marble 
base. Ebonized balustered pedestal. 
: Bronze: Height, 3 feet. 
Pedestal: Height, 3 feet 11% inches. 


Second and Last Afternoon 


326—Bronze Bust 
By E. le Guillemin. ‘‘The Sheikh’s Daughter.” Attired 


with kerchief, veiled headdress, and loose tasseled robe, 
she is much bedecked with ring and coin ornaments; the 
features in yellow-brown patina, dress of oxidised silver, 
ornamentation gilded. Paneled mahogany pedestal, en- 
riched with many fluted pilasters. On circular Rouge 


Royale marble plinth. 
Bronze: Height, 2 feet 1 inch. 
Pedestal: Height, 3 feet 51/, inches. 


327—Bronz Bust ann PEDESTAL 


Young girl in Oriental costume, mobbed headdress, jeweled 
bodice, vest covered with necklaces of coins. Patina of 
black-brown, parcel-gilt. On square molded base. Paneled 
mahogany pedestal with many fluted pilasters. 


Bronze: Height, 2 feet 6 inches. 
Pedestal: Height, 3 feet 514 inches. 


328—FacsIMILE OF THE COMMEMORATIVE VASE PRESENTED TO 
Witiuiam CuLLeN Bryant 


Oxidised silver-plate. Elliptical body, incurving molded 
neck, spreading foot, with scroll handles, revolving on 
square molded base. Body enriched with band of. medallions ; 
the center is occupied by a figure of the illustrious poet, 
the others presenting episodes in his life; these medallions 
are superimposed on interlacing Gothic tracery with floral 
motives filling the interstices, under being a series of bul- 
rushes ; the foot is enhanced with recurring pond-lily leaves, 
the neck with ivy-leaves, ears of barley, flower banding and 
reeds, the molded handles on both sides with fern motives, 
on the faces with ears of corn and birds. The rustic and 
woodland motives are symbolic of the author’s poems. 


Height, 2 feet 9 inches. 


The original of this vase, in silver, designed and made by Tiffany and 
Company, was presented to William Cullen Bryant by his many ad- 
mirers in honor of his eightieth birthday, November 3rd, 1874, and 
was later bequeathed by the family of the poet to the Metropolitan 
Museum of Art. 


(Illustrated) 


; anti foe yoetommndes /nammaendat 


¥ 


\ 


No. 828—FACSIMILE OF THE COMMEMORATIVE VASE 
PRESENTED TO WILLIAM CULLEN BRYANT 


Second and Last Afternoon 


329—BronzE Group 
Signed: E. Gregoire. ‘“‘The Lovers.” Engaged in earnest 
conversation, the lover presents a ring to his mistress; both 
figures are attired in medieval costumes. On molded cir- 
cular base. Patina of warm pink and yellows, parcel-gilt. 
Ebonized pedestal on four fluted columns, circular black 


marble revolving top. 
Bronze: Height, 3 feet 514 inches. 


Pedestal: Height, 3 feet 31, inches. 


330—Bronze Ficure 
Signed: Marius Montagne, 1867. Nude seated Mercury, 
his short sword at his right hand; the “Pipes of Pan” in 
his left hand, which hangs over his knee. Patina yellow 
and gray-black. Circular carved revolving mahogany 
pedestal enriched with gilded bronze fruit bandings. 
Bronze: Height, 2 feet 81, inches. 
Pedestal: Height, 2 feet 8 inches. id 


331—Bronze Group 
By A. Gaudez. “Page and Maiden Dancing on the Lea,” 
attired in medizval costumes. Revolves on circular molded 


base. Rose-pink patina, parcel-gilt. 
Height, 2 feet 1014, inches. 


3382—ELABORATE JAPANESE TEMPLE Bronze MytuicaL Group 


A boldly modeled covered vase is supported by an enormous, 
ferocious three-clawed dragon who viciously blows from his 
mouth a spreading conical form of sea-foam in which the 
vase 1s set. Near one of the dragon’s claws is set a loose, 
smybolically paneled sacred pearl. Vase, heavy ovoidal 
shape enriched in low relief with many flying storks and 
cloud forms; two scroll dragons form handles; plain spread- 
ing foot. Spreading neck and cover simulate waves of the 
sea from which a coiled dragon is rising and holds in his 
fore-paw the sacred pearl of power; a genii stands on the 
dragon’s back, forming the terminal. 


Height, 9 feet; width at base, 4 feet 6 inches. 


Second and Last Afternoon 


STATUARY MARBLE BUSTS, FIGURES AND 
| PEDESTALS 


333—Carrara Marsie Bust 


A little curly-haired girl, attired in high lace-ruffled bonnet, 
large drop earrings and necklaces. On circular molded foot 
and square plinth. Signed: “F. G. Villa, Milano, 1881. 


PR es dled tales So - Hoey 


Height, 241, inches. 


_ FOS ee ail 


334—Onyx MarsBLe ann ENAMEL VASE 


sehen d 


Flattened globular body; incurving molded trumpet foot. 
On square base, with drapery and scroll supports. The 
neck ‘and body enriched with bands of gilded bronze and 
enameled floral arabesque medallions. Gilded bronze scroll 
handles, foot and supports. 

Height, 171, inches. 


= 335—LarcE Carrara Marsie Busr anp PEDESTAL 
. Young woman of ample charms with draped headdress, her 
i= 7 hand across her breast supporting her cloak. Fitted on an 
inverted capital enriched with leaf carving. Signed: “A. 
Felici a Venezia.” Circular ebonized pedestal, fluted in the 
Ionic style. 
Height: Bust and capital, 3 feet 41, inches. 
Height: Pedestal, 2 feet 4 inches. 


336—Carrara Marsie Ficure 
“The Prize.” A young girl stands holding in her extended 
right hand a book inscribed “Premio.” Her hair is dressed 
in long ringlets, and her frock is trimmed with lace ruffles 


and girdled with a sash. Signed: “E. Broga, Milano.” 


Height, 3 feet 41, inches. 


Second and Last Afternoon 


337—CaRrRARA MarBLE FIGURE AND PEDESTAL 


“Vanita.” Nude figure of a young woman, draped from the 
waist down, stands raising her long hair with her right hand 
and gaze at herself in a small hand-mirror. Circular re- 
volving half-statuary marble pedestal with molded top and 
base, garlanded with flowers and ribbons. 3 


Figure: Height, 4 feet 9 inches. 


3388—Two Onyx PEDESTALS 
Plain circular shafts, square molded bases, revolving square 
tops, enriched with gilded bronze mountings of Corinthian 
capitals and leaf molded bases. 
Height, 4 feet 2 inches. 


3839—Onyx AND SrenaA MarBLE PEDESTAL 


Cylindrical shaft of onyx enriched with gilded bronze mount- 
ings of lotus-leaves, square base, capital carved with a series 
of lotus-leaves. Square top of rich brocatel Siena marble 
enriched with bead and reel molding. (Repaired. ) 


Height, 3 feet 3 inches, 


From the Mary J. Morgan Collection, Catalogue No. 904. 


FURNITURE AND PEDESTALS, INCLUDING 
VITRINES AND TALL CASE CLOCK 


340—Two Carvep Iratian Watutnut PEDESTALS 


Circular molded tops, with supports of seated winged grif- 
fons and square molded bases on small feet. 


Height, 3 feet 7 inches; diameter, top, 1 foot 1% inch. 


Second and Last Afternoon 


me ay a a ca 


341—Two Carvep Manocany PepestTats 


Deep circular molded tops, large ovoid baluster supports en- 
riched with carved band of sunflowers and foliage in low 
relief ; molded spreading feet. 


eL «8 $b Aa aergaige ner ghee Sipe amncoe 


Height, 3 feet 4 inches; top, diameter, 1 foot 3 inches. 


342—Manocany Kipney-sHarep Taste 1n THE Louis XVI 
STYLE 
Frieze with shaped drawer, fluted supports, shaped shelf 
stretcher and cabriole legs. Fine brocatel marble top (re- 
paired). Mounted with gilded bronze, the top with pierced 
gallery, frieze and shelf with moldings and pateras, knee 
and foot with acanthus-leaf scroll appliqués. 


meee | ood 
a2 - 


. 


ia god 


Height, 2 feet 71%, inches; width, 2 feet 31%, inches. 


343—SEMI-cIRCULAR Manwocany VITRINE IN THE Louis XVI 
| STYLE-| 

The upper portion with glazed ends, door and pilasters in- 
Zz _ laid with brass flutings and lines, mirror back, one plate- 
glass shelf; top of fine brocatel marble. Mounted in gilded 
bronze with pierced gallery. Table, similarly inlaid with 
brass, has one drawer and tapering fluted legs; mounted in 
gilded bronze with drapery molding at top and rings, caps 
and toes on legs. (Top faulty.) 


Height, 4 feet 31, inches; width, 2 feet 8 inches. 


344—Manocany VITRINE IN THE Louis XVI SryLe 
Shaped front enclosed by two glazed doors; shaped glazed 
ends and cabriole legs. Rouge Royale marble top; lavishly 
mounted in gilded bronze with pierced gallery, scroll frieze, 
rams’ head terminals, knee scrolls and toes; doors and apron 
with leaf moldings. Interior lined with old red velours and 
fitted with two plate-glass shelves. 


Height, 4 feet 41, inches; width, 3 feet 61, inches. 


Second and Last Afternoon 


345—Two SHaprep InLAin ManHocany CABINETS IN THE SHERA- 
TON STYLE 


Cabinets with convex glazed doors flanked by a series of 
three concave shelves at sides, supported by square pilasters 
and tapering legs holding shaped shelf stretchers; shaped 
friezes inlaid with flutes, pateras and husk drops. Fitted 
with two mahogany shelves. 

Height, 3 feet 11 inches; width, 3 feet. 


346—Hanpsome BouLE CoMMODE IN THE Louis XV STYLE 


Coffer-shaped body composed of two drawers supported on 
open cabriole legs and. unusual connecting scrolled under- 
braces. Richly mounted in gilded bronze, the drawers and 
ends with shaped moldings and scrolled handles and escutch- 
eons; drawers inlaid with brass floral scrolls. The legs 
have appliqués at knees of winged female busts terminating 
in flower scrolls. Acanthus-leaf and claw feet. Molded 
onyx top of cream veined with yellow. 


Height, 2 feet 10 inches; width, 4 feet. 


347—Carvep Manwocany CircuLtar TABLE 


Molded top, baluster support enriched with a spiral of 
acorns and oak-leaves, acanthus-leaf base supported on 
incurved triangular base terminated with claw and scroll 


feet. 
Height, 2 feet 4 inches; diameter, 2 feet 8 inches. 


348—ELABORATELY CarvepD Manwocany Tatt Case Crock 


Rectangular, with glazed lattice door and paneled ends; 
molded arched frieze enriched with acanthus-leaves and 
scrollings. Hood glazed and with pierced brass paneled 
ends; deeply scrolled pediment with vase and flame terminal 
and supported by caryatids. Pedestal enriched with flut- 
ings, leaf moldings and arabesque panel and large claw feet. 
Silver-plated dial with gilded and engraved scrolls and 
mounts. Eight-day chime movement by Bigelow and Ken- 
nard. Height, 10 feet 4 inches; width, 2 feet 9 inches. 


Second and Last Afternoon 


349—Manocany VirrinE IN THE Louis XVI StyYLeE 


Rectangular. Door and ends glazed with beveled plate- 
glass; mirror back, fitted with three glass shelves; fluted pi- 
lasters, fluted baluster legs supporting a shelf-stretcher. 
Gilded bronze mountings, top and stretcher with balustered 
gallery, frieze with scrolled leafage, pateras and molding; 
pilasters with capitals and legs with toes and shoulder 
rings. 

Height, 5 feet 434 inches; width, 2 feet 2%, inches. 


350—GitpEp Bronze VirrinE IN THE Louis XVI Sryte 
Rectangular case, with molded top and foot, supports four 
fluted Corinthian columns; glazed with beveled plate-glass 
on all sides and door, mirror bottom. Table with guilloche 
frieze and bracketed corners, fluted legs enriched with Cupid 
and scroll trusses, shaped molded and rosetted stretcher. 
Onyx top and deep plinth; gilded bronze molded feet. 


Height, 6 feet; width, 2 feet 1, inch; diameter, 1 foot 7 inches. 


351—Carvep Manocany Larce Circutar Taser 

| Top enriched with leaf molding; molded frieze; supported 
on many-sided center surrounded by eight reeded open 
scroll legs terminating in claw feet. 


Height, 2 feet 6 inches; diameter, 5 feet. 


ANTIQUE RUGS 


352—Boxuara Rue 
The deep blue field is occupied by diagonally placed palmette 
motives woven in varying crimson, blue and ivory; crimson 
border of geometric medallions, and narrow guards dis- 
playing zigzag motives. 


Size: 3 feet 2 inches by 3 feet 2 inches. 


Second and Last Afternoon 


353—-Si1Lk Persian Rue 
The fluctuating ivory field sustains two floriated trees of 
life, a jardiniére of flowers which ramify the surface, and 
at the foot two Lions of Persia; woven in light and dark. 
green, lavender, purple and passages of blood-red; border 
of delicate arabesques on a deep purple ground flanked by 
gray-blue floral guards. Size: 8 feet 6 inches by 4 feet. 


354—BoxuHara Rue Eighteenth Century 
The field occupied by two oblong and two square floral — 
panels placed unevenly and interrupted by bands of stellate 
figures. At one end only, is a double series of oblong floral 
panels. Soft coloring of dark and light blues, ivory and 

dull crimson on a rich tawny pink ground. 
Size, 3 feet 3 inches by 5 feet. 


355—Hamapan Rue 
The center occupied by a floral diamond medallion in ivory 
and colors, imposed on a trellised field semé with simple 
blossoms in crimson, blue and yellow on a tobacco-yellow 
ground, with triangular corners to match medallion; defined 
by two narrow geometric bands flanked by a broad guard 
of the recurring tobacco-yellow. (Center and border im- 
perfect. ) Size, 3 feet 6 inches by 5 feet 10 inches. 


356—TvurxisH Monarr Rue 
On a lutsrous turquoise field are three floriated diamonds 
woven in orange, blue, red and pink; deep floral border with 
guard strips in the shimmering colors of the center. 
Size, 4 feet 2 inches by 6 feet 5 inches. 


357—SrENNA Rue 
Closely woven, with an arabesque of dull pinks and blues 
on a black field which supports a banded diamond invested 
with a floral pattern of similar coloring on a gray ground. 
Old-red floral border flanked by guards minutely woven with 
flowers. Size, 4 feet 3 inches by 5 feet 10 inches. 


(Illustrated) 


7—_SENNA RUG 


35 


. 


No 


Second and Last Afternoon 


358—Boxuara Rue Eighteenth Century 
The field, irregularly placed, is occupied by four oblong 
geometric panels and defined by borders; at one end are 
two wide zigzag borders in dull red and blue. Field with 
dull red predominating over the curious blue, green, ivory 

and tawny tones. (Has been repaired.) 
Size, 4 feet by 5 feet 5 inches 


359—Kirman Rue 
Recurring vases of flowers are prolifically displayed on a 
shafted black field and woven in crimson, old-yellow, red and 
dull blues; the interlacing major border sustains roses, 
flanked with an inner guard of rose-scrolls and outer guards 


of geometric motives. Size, 4 feet 3 inches by 6 feet 11 twnches. 
(Illustrated) 


360—SeEnna Rue | 
Rich deep pile. Displaying a circular floral medallion rayed 
with green and holding floral pendants in simple coloring on 
an ivory ground; intricate floral border of pink with black 


and green guards. 
Size, 4 feet by 6 feet 6 inches. 


361—Kirman Sitk Rue 
Woven with a firm, upstanding pile. The central ovoidal 
medallion occupied by yellow and blue floral motives on a 
deep purple ground and surrounded by interlacing floral 
scrolls in dull colors on a wavering champagne colored field. 
The purple arabesque border and guards exhibit a shifting 
blue and deep ivory. 
Size, 4 feet by 6 feet 5 inches. 
362—Sarovux Rue 
On a rich crimson field is displayed a floral lozenge and en- 
closing arabesque on an ivory ground, with corners to 
match ; defined by three floral borders in yellow and pink. 
Size 4 feet 5 inches by 6 feet 2 inches. 


Gertie of VA cote ar ™ 


RUG 


N 


KIRMA 


300 


No 


Second and Last Afternoon : 


363—SaRABAND Rue 
Rose-pink center, invested with innumerable small recurring 
flowering shrubs woven in blue and black; border of angular 
scrolls in subdued colors on an ivory ground, defined by 
narrow floral scroll guards. | 
Size, 4 feet 2 inches by 5 feet 8 inches. 


364—Suiraz Rue 
Heavy pile with silky texture. The field invested with 
palmette motives dominated by minute florettes in yellow, 
crimson and ivory on dark, resonant ground. ‘Three geo- 
metric and floral borders with crimson and ivory grounds. 
Size, 5 feet by 5 feet.3 inches. 


365—Kazak Rue 
On a floriated old-red ground are three octagonal geo- 
metric medallions, the center with white ground, flanked 
by two in blue; woven in simple, harmonious colors. Ivory , 
border of plaquettes with narrow guards. ; 
Size, 4 feet 2 inches by 8 feet 4 inches. 


366—InTERESTING SHIRVAN Rue Eighteenth Century 
Three linked geometric medallions occupy the field and are 
woven in delicate, pale green, rose, yellow and a rare sky- 
blue with intermittent ivory blossoms; border of interlacing 
triangular motives in similar colors, with floriated guards 

on yellow and black grounds and a scroll band in ivory. 
Size, 3 feet 6 inches by 6 feet 10 inches. 


367—Sarovuk Prayer Rue 
Closely woven pile. The mihrab exhibits a small vase sus- 
taining large and small blossoms which ramify the deep fawn 
ground and are woven in blues, old-red, yellows and green; 
triangular blue floral spandrils ; border of deep blue bearing 
a sinuous vine enclosing flowering shrubs, defined by narrow 


old-red floral guards. Size, 4 feet by 6 feet 2 inches. 
(Illustrated) 


K PRAYER RUG 


367—SA ROU 


O. 


N 


Second and Last Afternoon 


368—CaraBacH Rue 


The black-blue field displays two large geometric floral mo- 
tives flanking a lesser one; woven in purplish-pink, ivory, 
tan and pale blue. Floral border on crimson ground de- 


fined by ivory guards. 
Size, 3 feet 9 inches by 8 feet 7 inches. 


369—Snuiraz Rue Eighteenth Century 
Fine, close pile. The field occupied with curious, detached 
palm motives diagonally placed; woven in reds, soft green 
and yellow on a dark blue ground. Geometric hatched 
major border flanked by two floral bands and finished at 
both ends with three narrow, geometric bands. 


Size, 5 feet 2 inches by 7 feet. 


370—SEnna Rue 


Close heavy pile. The center occupied by a circular floral 
medallion with grotesque mask pendants and rising suns, 
woven in dull greens, reds and yellows on a deep ivory 
ground; broad arabesque border in the colors of the center, 
defined by floral guards of lighter tones. 


Size, 4 feet 3 inches by 6 feet 5 inches. 


371—Suiraz Rue Eighteenth Century 

Recurring floriated palmettes, in red, blue, ivory and dull 

yellow, occupy the brown-black field which is defined by 

seven narrow geometric and floral borders, mainly in rose- 
crimson. (Has been repaired.) 

Size, 4 feet 5 inches by 7 feet 10 inches. 


372—-SHiraz Rue 


The field occupied with curious detached palm motives diag- 
onally placed; woven in reds, soft green and yellow on a 
dark blue ground. Geometric hatched major border flanked 
by two floral bands, matching center in color. 


Size, 5 feet 1 inch by 6 feet 10 inches. 


SENNA RUG 


370— 


oO. 


N 


Second and Last Afternoon 


373—UnieauE SuHiraz Ruc Seventeenth Century 


Two diamond medallions, with latch-hook borders, occupy 
the tawny old-red field and display many unusual geometric 
floral motives woven in rose, crimson and ivory with touches 
of delicate blue; border of geometric diamonds on an ivory 


ground. - Size, 5 feet 1 inch by 6 feet 8 inches. 


374—IspaHan Ruc Late Seventeenth Century 
The field occupied by floral medallions irregularly placed 


and alternating with interesting blossom motives, in rich 
reds, lavenders, pink, green, yellow and ivory on a dark 
blue ground. Major border of large varied blossoms within 
a sinuous blue leaf-vine. Guards of yellow sustaining floral 


motives in the colors of the field. 
Size, 5 feet by 7 feet 6 inches. 


375—Iran Rue Eighteenth Century 


The deep, pellucid blue field displays a geometrical leaf 
trellis enclosing large, distinguished, geometric blossoms in 
pale green, blue, yellow and ivory. Major border of quaint 
scrolls alternating with grotesque animal head motives; 
small floral ivory guards. 


Size, 3 feet 6 inches by 9 feet 11 inches. 


376—BeEtLoocu Rue 


Many lozenge-shaped motives are displayed among small 
blossoms woven in red, ivory and green on a deep blue 
ground; angular leaf border of crimson defined by geometric 
ivory guards. (Has been repaired.) 

Size, 5 feet 1 inch by 8 feet. 


377—Iran Rue | Seventeenth Century 


Three lozenges, flanked by floral motives in pink, ivory and 
green, occupy the blue field; hatched border of crimson and 


ivory defined by a yellow band. 
Size, 4 feet 3 inches by 10 feet. 


Second and Last Afternoon 


378—Hamapan Ruc 


Heavy, lustrous pile. The field is occupied by a central, 
elongated, double lozenge, which is partially repeated on its 
flanks; detached blossoms of old-red, blue, ivory and pale 
green are placed at intervals and enhance the damasked ivory 
and fawn of the field. Crimson floral border flanked by in- 

_ tricate scroll guards defined by an extra outer brown-black 
guard and finished by a fluctuating tawny banding. 


Size, 4 feet 6 inches by 9 feet 9 inches. 


379—Suiraz Ruc Eighteenth Century 
Fine, close pile. ‘The central field occupied by three geo- 
metric lozenges in reds, ivory, green and pale blue on a soft 
brown ground displaying individual blossoms following in 
the same geometric contour; triangular corners in brighter 
tones superimposed on a dark blue ground holding palmate 
inflorescences. Interesting main border of recurring cano- 
pied blossoms, with narrow guards, in red, blue and ivory. 


Size, 5 feet 1 inch by 9 feet. 


380—AnaToLiAN Rue Seventeenth Century 
The resonant old-red ground sustains an arabesque in soft 
blue; old-yellow border of an interesting geometric pattern 


with central medallions of aubergine. 
Size, 5 feet by 9 feet. 


381—Surraz Rue 
The field displays intricate geometric lozenges and octagonal 
medallions, woven in blues, yellow, reds and ivory on a rich 
tawny-brown ground. Major border of geometric floral 
diapers irregularly placed with curious blossoms, in the 
coloring of the center on an ivory ground. Two ends fin- 


ished with three small floral bands. 
Size, 5 feet by 8 feet. 


Second and Last Afternoon 


382—Iran Rue 
A rich blue field displays large recurring and alternating 
floral motives within arabesques in soft, rich coloring of 
yellows, turquoise-green, crimson, pale blue and ivory. Two 
narrow geometric borders with ivory and red grounds com- 
plete the well-balanced composition. 


Size, 2 feet 7 inches by 10 feet 7 inches. 


383—Cavucasian Rue Eighteenth Century 
Geometric motives of an interesting character invade the 
tawny black field, and are woven in dull red, green and 
ivory; floral border on yellow ground flanked by zigzag 
guards. (Has been repaired. ) 


Size, 3 feet 10 inches by 11 feet 9 inches. 


384— Iran Rue 
Medallions of many geometric floral motives are displayed 
among other floral motives on a blue ground; three scroll 
and geometric borders woven in crimson, ivory, yellow, blue 


and old-red. 
Size, 3 feet 5 inches by 12 feet. 


385—Surraz Rue Eighteenth Century 

Regularly placed, recurring, floriated palmate motives in 

dull blue, green, red and ivory, occupy the tawny black field. 

Border of old red sustaining similar palmettes with dis- 
tinguished ivory guards of detached floral motives. 

Size, 5 feet 6 inches by 11 feet 8 inches. 


386—Suiraz Rue Eighteenth Century 
In the center a stepped floral cross surrounded by floriated 
palmettes, in red, yellow, blue, ivory and tawny brown on a 
deep blue field. Interesting border of oblong arabesques 
mostly in crimson and gray with flanking guards of yellow, 
defined by varying outer bands displaying hatchings, pa- 


teras and scrolls. 
Size, 4 feet 10 inches by 12 feet 5 inches. 


wtitta 


Second and Last Afternoon 


387—Josucan Rue 3 
The rich ivory field is occupied by distinguished recurring 
series of conventionalized rose branches, alternately woven 
in pinks and blue; deep blue-black border of intricate floral 
vines, guarded by two rose-pink bands bearing stellate blos- 


soms. 
Size, 3 feet 8 inches by 15 feet 4 inches. 


388—FrracHan Rue Eighteenth Century 
Close, heavy pile. The field occupied by a typical recurring 
floral arabesque in red, blue, dull yellow and ivory on a 
blue background. Major border of dull red displaying floral 
motives in the colors of the center. Small paneled guards 
of yellow sustaining small trees and scrolls. 


Size, 3 feet 3 inches by 19 feet. 


389—Mounair Prayer Rue 


The mihrab occupied by two curious detached crimson col- 
umns on a shimmering putty-colored ground; the spandrils 
are of rich blue, displaying trailing floral vines in crimson 
and ivory. Two pale blue, ivory and crimson floral panels 
are at the head and foot. Wide major border of large 
floral motives and scrolls in crimson and ivory on a brown 
ground flanked on both sides by three narrow floral guards 
on crimson and deep blue. 


‘Size, 6 feet 10 inches by 11 feet 4 inches. 


390—IspaHan Ruc Late Seventeenth Century 
Displaying varied lozenge-shaped blossoms in reds, blue, 
ivory and turquoise-green at the intersections of an ivory 
trellis, on a deep blue ground; border of rose-red, geometri- 
cally figured in the colors of the center with an added touch 
of lavender. Guards of narrow floral scrolls on ivory 


ground. (Has been repaired. ) 
Size, 6 feet 8 inches by 18 feet. 


Second and Last Afternoon 


391—Monair CarPET | 


Large, central, stepped lozenge medallion with end pendants, 


woven with a green, yellow and crimson arabesque on which 


is superimposed an elongated old-red lozenge bearing blos- 
soms. Triangular green latch-hook corners occupied by 
quaint floral motives in orange, blue and red. Wide major 
border of blue displaying large blossoms on angular leaf- 
scrolls with two crimson floral guards. 


Size, 9 feet 3 inches by 11 feet 10 inches. 


392—KurpIsTan CARPET 


“Minna Kahni.” The deep blue field displays a stellate 
floral medallion surrounded by recurring blossoms defined 
by arabesque scrolls; woven in yellow, pale blue, old-red and 
ivory, with corners matching medallion. Old-red major 
border occupied by blossoms and leaf-scrolls flanked by 


two floral ivory guards. (Has been repaired.) 


Size, 6 feet 10 inches by 18 feet 11 inches. 


393—FerEracHan Rue Eighteenth Century 


The field displays a floral arabesque in curious crude color- 
ing of blue, lavender, ivory, yellow and pale green on a 
blue background. The old-red border is occupied by a dis- 
tinguished pattern of an interlacing trellis enclosing palm 
leaves and geometric blossoms; inner guard of yellow, and 
outer guard of ivory enriched with geometric motives. 


Size, 6 feet 9 inches by 18 feet 4 inches. 


394—Tran Carpet : 
The blue-black field displays a leaf trellis defined at the in- 


tersections by small blossoms and enclosing a stellated con- 
ventional bouquet, -woven in deep pink, ivory, yellow and 
turquoise-green. Wide border of old-red bearing Herati 
leaves and blossoms in dull tones, defined by two narrow 
guards of angular floral scrolls on yellow grounds. 


Size, 8 feet 5 inches by 22 feet 1 inch. 


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Second and Last Afternoon 


395—Inpi1a CarRPET 


Heavy, close pile. The rich claret colored field is occupied 
by recurring oval medallions surrounded by leaf scroll ara- 
besques, woven in light and dark blue, yellow, ivory and 
red. Major border, a rich blue, occupied by large floral 

motives and palm-leaf scrolls in dull ivories and red, defined 
by four narrow floral guards and three outer guards. 


Size, 138 feet 11 inches by 19 feet. 


396—Larce OvusHac Carrer 

_ Heavy pile. Center field of rich, lustrous crimson with tri- 
angular corners of yellow, woven with trailing floral vines 
in blues, crimson, ivory and brown. Wide, distinguished 
border of angular, interlacing leaf-scrolls which support 
large floral motives at intervals, in yellows, greens, ivory 
and crimson on a brilliant blue ground. Two narrow flower 
and scroll guards with an outer defining band in the recur- 
ring crimson of the center. 


Size, 13 feet 11 inches by 20 feet 1 inch. 


397—Larce Carvep Manocany Four-post BEp IN THE Co- 
' LONIAL STYLE 


Deep scrolled headboard enriched with egg-and-dart mold- 
ing and pateras; interesting turned castored posts, the 
upper parts enriched with spirals of acorns and oak-leaves, 
gadrooned and pineapple tops, lower portions reeded; egg- 
and-dart paneled rails and footboard. Spring and hair 
mattresses for same. 


Height, 6 feet 8 inches; length, 7 feet 1 inch; width, 5 feet 4 inches. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


INTELLIGENT APPRAISALS 


FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


———$ 


_ THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
| AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY _ 


ION, PRESSWORK 
) BINDING BY 


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7 a. 


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“Nos. - Prices Buyers 
Bike Fe ve E.T.Richards 
Oar nares. ns W.L.Clark 
28 AO ye . I.Friedenheit 
ee ae 55. Arlington Galleries 
6s. 905 A.H. Ackermann 
Pee 160 He LeRoy 
SP BG, Otto Bernet, Agt. 
sess. ZIOs A.Olivotti 
ee BIOS. Miss Loreyng, Agt. 
(40°. BBs Lé4.O0sborne 
Pa FBS A.Olivotti 
12) 2B. . % 
i Besley 1s Holland Galleries 
14) «410. H. LeRoy 
15 sé85, Holland Galleries 
16 AB, D.Calo & Sons 
l? 2806 A.G.Winter 
18 2206 Miss Lorenz, Agt. 
“19° 60. LeAeOsborne 
am: Rea * sie Irving K.Hall 
Tek Oe: Otto Bernet, Agt. 
Se 175. AeGeWinter 
20 > 2. C.JeMcDonough 
24 =—«#5B100. J Levy 
25 30 6 A.Hazarian 
26 608 Irving K.Hall 
27 1206 Henry Schultheis 
28 95 6— Jacob de Jong 
29. 3250. Holland Galleries 
30 55.6 KeT. Richards 
31 135. A-Olivotti & Co. 
52 125. Jacob Hilder 
33 65.6 Jacob de Jong 
34 706 Jacob Hilder 
35 65. W-G.Downey 
36 1156 Holland Galleries 
37 450. S-$Laird 
38 60. L.A.Osborne 
39 150. A.o.Crooker 
49 510. H. LeRoy 
4} 1206 Holland Galleries 
42 120. " 
43 150, U.G. Hogan 


Prices 
$ 760. 
6100. 
240. 
280. 
45. : 
160. Otto Baraat 
65. 
155. 
80. 
155, 
500. 
85. 
130. 
165. 
90. 
50. 
250. 3 
2304 Henry Schultheis i. 
100. HB. anemia 
465.4 WeG. Hogan ervea 
60. G.Henchel ae 
110. Henry Sclultheis {x 
80. WeGeDowney 
400. John Sanford 
2250 6 WeGe Downey | s 
115. Holland Galleries ; 
100. Pe. 
1000. béaee Sohisdtueae 
300. Aug. Flattean — 
100. FPeAeLawlor | 
140. Henry Schultheis 
180. A.Olivotti & Cos 
120, " « 
100. L.1L.€.Benedict 
95. Jacob de Jong 
754 SeJ.Frank 
155. Aug.Flattean 
450. CeWeKraushaar 
135. C.J.McDonough 
90.. Aug.Fletteau 
120. S.JeFrank — 
806 John Fazr | 


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